An unsupervised method is proposed aiming at extracting rhythmic sources from commercial polyphonic music whose number of chan-nels is limited to one. Commercial music signals are not usually provided with more than two channels while they often contain mul-tiple instruments including singing voice. Therefore, instead of us-ing conventional ways, such as modeling mixing environments or statistical characteristics, we should introduce other source-specific characteristics for separating or extracting the sources. In this pa-per, we concentrate on extracting rhythmic sources from the mixture with the other harmonic sources. An extension of nonnegative ma-trix factorization (NMF) is used to analyze multiple relationships between spectral and t...
International audienceOne of the most general models of music signals considers that such signals ca...
International audienceWe address the problem of blind audio source separation in the under-determine...
International audienceIn this paper, we propose a new unconstrained nonnegative matrix factorization...
Abstract—We address a problem of separating drum sources from monaural mixtures of polyphonic music ...
Close-microphone techniques are extensively employed in many live music recordings, allowing for int...
This Master’s thesis focuses on the challenging task of separating the musical audio sources with in...
Recently there has been a greater need to analyze, summarize, and categorize the increasing amount o...
Many people listen to recorded music as part of their everyday lives, for example from radio or TV p...
In this paper, unsupervised learning is used to separate percussive and harmonic sounds from monaura...
Abstract — Source separation of musical signals is an appealing but difficult problem, especially in...
International audienceIn this paper, we propose a supervised multilayer factorization method designe...
International audienceOne of the most general models of music signals considers that such signals ca...
International audienceWe address the problem of blind audio source separation in the under-determine...
International audienceIn this paper, we propose a new unconstrained nonnegative matrix factorization...
Abstract—We address a problem of separating drum sources from monaural mixtures of polyphonic music ...
Close-microphone techniques are extensively employed in many live music recordings, allowing for int...
This Master’s thesis focuses on the challenging task of separating the musical audio sources with in...
Recently there has been a greater need to analyze, summarize, and categorize the increasing amount o...
Many people listen to recorded music as part of their everyday lives, for example from radio or TV p...
In this paper, unsupervised learning is used to separate percussive and harmonic sounds from monaura...
Abstract — Source separation of musical signals is an appealing but difficult problem, especially in...
International audienceIn this paper, we propose a supervised multilayer factorization method designe...
International audienceOne of the most general models of music signals considers that such signals ca...
International audienceWe address the problem of blind audio source separation in the under-determine...
International audienceIn this paper, we propose a new unconstrained nonnegative matrix factorization...