This paper presents a system that allows users to customize an audio signal of polyphonic music (input), without using musical scores, by replacing the frequency characteristics of harmonic sounds and the timbres of drum sounds with those of another audio signal of polyphonic music (reference). To develop the system, we first use a method that can separate the amplitude spectra of the input and refer-ence signals into harmonic and percussive spectra. We characterize frequency characteristics of the harmonic spectra by two envelopes tracing spectral dips and peaks roughly, and the input harmonic spec-tra are modified such that their envelopes become similar to those of the reference harmonic spectra. The input and reference percussive spectr...
Abstract. Detecting multiple pitches (F0s) and segregating musical instrument lines from monaural re...
An unsupervised method is proposed aiming at extracting rhythmic sources from commercial polyphonic ...
beating between closely spaced frequency components is a well-known effect in musical acoustics, psy...
This paper presents a system that allows users to customize an audio signal of polyphonic music (inp...
We present a method for the separation and resynthesis of drum sources from single channel polyphoni...
The structured arrangement of sounds in musical pieces, results in the unique creation of complex ac...
In this paper, we present a simple and fast method to sep-arate a monaural audio signal into harmoni...
Abstract:- In the past years many approaches have been developed that target the separation of polyp...
Sounds can broadly be classified into two classes. Harmonic sound on the one hand side is what we pe...
Abstract—This paper introduces a new music signal processing method to extract multiple fundamental ...
International audienceIn this paper, we propose a supervised multilayer factorization method designe...
International audienceOne of the most general models of music signals considers that such signals ca...
Each musical instrument makes distinct sounds, caused by harmonics particular to that instrument. Ha...
In this paper, we present a hybrid method for extracting the melody from polyphonic signals. Automat...
In this paper, unsupervised learning is used to separate percussive and harmonic sounds from monaura...
Abstract. Detecting multiple pitches (F0s) and segregating musical instrument lines from monaural re...
An unsupervised method is proposed aiming at extracting rhythmic sources from commercial polyphonic ...
beating between closely spaced frequency components is a well-known effect in musical acoustics, psy...
This paper presents a system that allows users to customize an audio signal of polyphonic music (inp...
We present a method for the separation and resynthesis of drum sources from single channel polyphoni...
The structured arrangement of sounds in musical pieces, results in the unique creation of complex ac...
In this paper, we present a simple and fast method to sep-arate a monaural audio signal into harmoni...
Abstract:- In the past years many approaches have been developed that target the separation of polyp...
Sounds can broadly be classified into two classes. Harmonic sound on the one hand side is what we pe...
Abstract—This paper introduces a new music signal processing method to extract multiple fundamental ...
International audienceIn this paper, we propose a supervised multilayer factorization method designe...
International audienceOne of the most general models of music signals considers that such signals ca...
Each musical instrument makes distinct sounds, caused by harmonics particular to that instrument. Ha...
In this paper, we present a hybrid method for extracting the melody from polyphonic signals. Automat...
In this paper, unsupervised learning is used to separate percussive and harmonic sounds from monaura...
Abstract. Detecting multiple pitches (F0s) and segregating musical instrument lines from monaural re...
An unsupervised method is proposed aiming at extracting rhythmic sources from commercial polyphonic ...
beating between closely spaced frequency components is a well-known effect in musical acoustics, psy...