A typical audio mixer interface consists of faders and knobs that control the amplitude level as well as processing (e.g. equalization, compression and reverberation) parameters of individual tracks. This interface, while widely used and effec-tive for optimizing a mix, may not be the best interface to fa-cilitate exploration of different mixing options. In this work, we rethink the mixer interface, describing an alternative inter-face for exploring the space of possible mixes of four audio tracks. In a user study with 24 participants, we compared the effectiveness of this interface to the traditional paradigm for exploring alternative mixes. In the study, users responded that the proposed alternative interface facilitated exploration and t...
There has been little research about how ergonomics on different work surfaces impacts the way mix-e...
An interface is a field of abstractions where two systems interact with one another. We typically us...
Subgrouping is a mixing technique that most mix engineers use. Little research on perceptual evaluat...
A typical audio mixer interface consists of faders and knobs that control the amplitude level as wel...
This thesis investigates the suitability of the Audio Mixing Interface (AMI) for popular music produ...
Abstract. Due to the compartmentalisation of the mix into separate channel strips, Digital Audio Wor...
Mixing consoles are the primary tool used in the mixing of multi‐track recordings of musical instrum...
The mixing desk metaphor found in many Digital Audio Workstations (DAW) creates a quantitive visual ...
Audio mixing is the adjustment of relative volumes, panning and other parameters corresponding to di...
This paper presents the ongoing work towards creating a novel interface for mixing music. It identif...
The mixing of audio signals has been at the foundation of audio production since the advent of elec...
The relation of music production practices to preference is still poorly understood. Due to the high...
The mixing of audio signals has been at the foundation of audio production since the advent of elect...
The act of mix-engineering is a complex combination of creative and technical processes; analysis is...
The creation of multitrack mixes by audio engineers is a time-consuming activity and creating high-q...
There has been little research about how ergonomics on different work surfaces impacts the way mix-e...
An interface is a field of abstractions where two systems interact with one another. We typically us...
Subgrouping is a mixing technique that most mix engineers use. Little research on perceptual evaluat...
A typical audio mixer interface consists of faders and knobs that control the amplitude level as wel...
This thesis investigates the suitability of the Audio Mixing Interface (AMI) for popular music produ...
Abstract. Due to the compartmentalisation of the mix into separate channel strips, Digital Audio Wor...
Mixing consoles are the primary tool used in the mixing of multi‐track recordings of musical instrum...
The mixing desk metaphor found in many Digital Audio Workstations (DAW) creates a quantitive visual ...
Audio mixing is the adjustment of relative volumes, panning and other parameters corresponding to di...
This paper presents the ongoing work towards creating a novel interface for mixing music. It identif...
The mixing of audio signals has been at the foundation of audio production since the advent of elec...
The relation of music production practices to preference is still poorly understood. Due to the high...
The mixing of audio signals has been at the foundation of audio production since the advent of elect...
The act of mix-engineering is a complex combination of creative and technical processes; analysis is...
The creation of multitrack mixes by audio engineers is a time-consuming activity and creating high-q...
There has been little research about how ergonomics on different work surfaces impacts the way mix-e...
An interface is a field of abstractions where two systems interact with one another. We typically us...
Subgrouping is a mixing technique that most mix engineers use. Little research on perceptual evaluat...