When visiting a collection of old music such as those held at the British Museum in London, I am often struck by the beauty and painstaking effort that went into producing these music manuscripts from what we loosely call the Middle Ages. I then realise that I cannot read the notation that was used; indeed, one often views these a
In this research, we study how to classify of handwritten music symbols in early music manuscripts w...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Even today, the automatic digitisation of scanned documents in general, but especially the automatic...
The notation of 15th-century music often features curious inscriptions that prescribe transformation...
The present paper concerns the manuscripts that have diastematic notation. Manuscripts with this no...
New things are often viewed as being better and more advanced than older counterparts; however, new ...
Adémar de Chabannes (989-1034), monk at the abbey of Saint Cybard in Angoulême, historian, homilist,...
In a new introduction to his article “The Early History of Music Writing in the West,” first publish...
The scholarly study of medieval music manuscripts has traditionally required that musicologists trav...
UID/EAT/00693/2013The Cantigas de Santa Maria are one of the most imposing corpus of medieval Europe...
grantor: University of TorontoAfter more than one hundred years of scholarship on the musi...
The study of medieval notations depends on effective categorization of individual signs in order to ...
This article draws on fieldwork observations of a vocal ensemble specialised in early music, describ...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Modern music notation developed out of the so-called square notation and this out of the Latin neume...
In this research, we study how to classify of handwritten music symbols in early music manuscripts w...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Even today, the automatic digitisation of scanned documents in general, but especially the automatic...
The notation of 15th-century music often features curious inscriptions that prescribe transformation...
The present paper concerns the manuscripts that have diastematic notation. Manuscripts with this no...
New things are often viewed as being better and more advanced than older counterparts; however, new ...
Adémar de Chabannes (989-1034), monk at the abbey of Saint Cybard in Angoulême, historian, homilist,...
In a new introduction to his article “The Early History of Music Writing in the West,” first publish...
The scholarly study of medieval music manuscripts has traditionally required that musicologists trav...
UID/EAT/00693/2013The Cantigas de Santa Maria are one of the most imposing corpus of medieval Europe...
grantor: University of TorontoAfter more than one hundred years of scholarship on the musi...
The study of medieval notations depends on effective categorization of individual signs in order to ...
This article draws on fieldwork observations of a vocal ensemble specialised in early music, describ...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Modern music notation developed out of the so-called square notation and this out of the Latin neume...
In this research, we study how to classify of handwritten music symbols in early music manuscripts w...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Even today, the automatic digitisation of scanned documents in general, but especially the automatic...