Copyright, which was initially introduced for the encouragement of authors of literary and artistic works, is not able to offer artists sufficient economic incentive to create. Royalty payments to all but the top artists are typically small and firms in the creative industries are typically large, making for a very unequal bargaining situation. Already, though, digital delivery of cultural products is beginning to change this scenario and we can consider possible effects on markets and the implications for copyright and cultural policy
Copyright has emerged as the Intellectual Property currency of the creative industries, to the exten...
The incentives-for-authors formulation of copyright’s purpose is so deeply ingrained in our discou...
Copyright, originally conceived as a tool to protect the author and to provide incentives to create ...
This deliverable is an academic paper published in the LEM (Laboratory of Economics and Management) ...
Several of the authors question the efficacy of copyright, which is increasingly regarded as benefit...
There has been a major international debate in recent years about whether creative industries ...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
Cultural Industries - The British Experience in International Perspective, Cultural Industries, 02.0...
The copyright industries — such as music, film, software and publishing — occupy a significant and g...
The new technologies of digitalization and the Internet threaten the market positions of artists and...
Intellectual property protection can impact negatively on economic and cultural development of the c...
Copyright, originally conceived as a tool to protect the author and to provide incentives to create ...
Copyright has emerged as the Intellectual Property currency of the creative industries, to the exten...
The incentives-for-authors formulation of copyright’s purpose is so deeply ingrained in our discou...
Copyright, originally conceived as a tool to protect the author and to provide incentives to create ...
This deliverable is an academic paper published in the LEM (Laboratory of Economics and Management) ...
Several of the authors question the efficacy of copyright, which is increasingly regarded as benefit...
There has been a major international debate in recent years about whether creative industries ...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
This Working paper reports on discussions at three CREATe-sponsored events in which economists worki...
Cultural Industries - The British Experience in International Perspective, Cultural Industries, 02.0...
The copyright industries — such as music, film, software and publishing — occupy a significant and g...
The new technologies of digitalization and the Internet threaten the market positions of artists and...
Intellectual property protection can impact negatively on economic and cultural development of the c...
Copyright, originally conceived as a tool to protect the author and to provide incentives to create ...
Copyright has emerged as the Intellectual Property currency of the creative industries, to the exten...
The incentives-for-authors formulation of copyright’s purpose is so deeply ingrained in our discou...
Copyright, originally conceived as a tool to protect the author and to provide incentives to create ...