Article published in Ceramic Review 205 January/February 2004 p. 38-41. This article is an edited version of the artist's MA thesis completed at the Royal College of Art, 2003
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
I make pots in response to an attraction to the beauty of form and a fascination for materials and p...
Crafts are often undervalued in the broader ‘art world’ and are not bestowed the same respect as fin...
Article published in Ceramic Review 210 November/December 2004 p. 24-25 This article is an edited...
One of the distinguishing characteristics of wheel-thrown pottery is the horizontal surface banding ...
The purpose of this study was to create the basic variations of ceramic forms thrown from the potter...
Ceramics are quintessential indicators of human culture and its evolution across generations of soci...
I wrote the preface to the substantial 470 page catalogue for the exhibition 'Things of Beauty Growi...
This essay examined the critical precepts and emergence of English Studio pottery between 1910 and t...
Artist\u27s Statement: My work with ceramics this term started as an exploration of form. I have mad...
"This work, comprising two ceramic vases, explored the natural material properties of porce...
Asymmetrical brings together a series of ceramic works exploring the effects of burnishing, glazes a...
Crafts are often undervalued in the broader ‘art world’ and are not bestowed the same respect as fin...
In the late nineteen eighties American ceramic artist Rick Dillingham put a new twist on the creatio...
I am interested in exploring the role of handmade pottery in today\u27s world. Industrialized ceram...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
I make pots in response to an attraction to the beauty of form and a fascination for materials and p...
Crafts are often undervalued in the broader ‘art world’ and are not bestowed the same respect as fin...
Article published in Ceramic Review 210 November/December 2004 p. 24-25 This article is an edited...
One of the distinguishing characteristics of wheel-thrown pottery is the horizontal surface banding ...
The purpose of this study was to create the basic variations of ceramic forms thrown from the potter...
Ceramics are quintessential indicators of human culture and its evolution across generations of soci...
I wrote the preface to the substantial 470 page catalogue for the exhibition 'Things of Beauty Growi...
This essay examined the critical precepts and emergence of English Studio pottery between 1910 and t...
Artist\u27s Statement: My work with ceramics this term started as an exploration of form. I have mad...
"This work, comprising two ceramic vases, explored the natural material properties of porce...
Asymmetrical brings together a series of ceramic works exploring the effects of burnishing, glazes a...
Crafts are often undervalued in the broader ‘art world’ and are not bestowed the same respect as fin...
In the late nineteen eighties American ceramic artist Rick Dillingham put a new twist on the creatio...
I am interested in exploring the role of handmade pottery in today\u27s world. Industrialized ceram...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
I make pots in response to an attraction to the beauty of form and a fascination for materials and p...
Crafts are often undervalued in the broader ‘art world’ and are not bestowed the same respect as fin...