Add to ORKGIn this paper, we discuss a system for using acceleration as a medium for controlling visual imagery and audio soundscapes. Our system is multi-channel and wirelessly networked which encourages communal engagement through naturalistic interaction. We integrate the ancient Maori art of poi to create a DIY performance of highly mobile digital live art. The novelty of our work lies in the combination of acceleration and wireless multi-channel, robust devices for digital live art
Although the use of Brain-Computer Interfaces (BCIs) in the arts originates in the 1960s, there is a...
This article proposes a wireless handheld multimedia digital instrument, which allows one to compose...
This position paper presents the concept of a tangible and modular interconnected “platform” for int...
This paper describes the Musical Poi (mPoi), a unique sensor-based musicalinstrument rooted in the a...
We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework co...
poster abstractToday's art music scene has changed quite a bit over the past 5 years, from organizin...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
Interactive art has been significant advanced by the Internet of Things (IoT) and cyber physical int...
Live performances which involve digital technology often strive toward clear correspondences between...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
In this paper, we describe the development of multi-platform tools for Audiovisual and Kinetic insta...
We present the architecture, technology and experimental applications of a real-time, multi-site, in...
The aim of this media art research has been to uncover new understandings of the sensations of 'live...
This paper introduces a sensor platform system with TWE-LITE for interactive media art workshops and...
'Live Art ' is an area of time-based arts practice which arises from inter-related or hybr...
Although the use of Brain-Computer Interfaces (BCIs) in the arts originates in the 1960s, there is a...
This article proposes a wireless handheld multimedia digital instrument, which allows one to compose...
This position paper presents the concept of a tangible and modular interconnected “platform” for int...
This paper describes the Musical Poi (mPoi), a unique sensor-based musicalinstrument rooted in the a...
We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework co...
poster abstractToday's art music scene has changed quite a bit over the past 5 years, from organizin...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
Interactive art has been significant advanced by the Internet of Things (IoT) and cyber physical int...
Live performances which involve digital technology often strive toward clear correspondences between...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
In this paper, we describe the development of multi-platform tools for Audiovisual and Kinetic insta...
We present the architecture, technology and experimental applications of a real-time, multi-site, in...
The aim of this media art research has been to uncover new understandings of the sensations of 'live...
This paper introduces a sensor platform system with TWE-LITE for interactive media art workshops and...
'Live Art ' is an area of time-based arts practice which arises from inter-related or hybr...
Although the use of Brain-Computer Interfaces (BCIs) in the arts originates in the 1960s, there is a...
This article proposes a wireless handheld multimedia digital instrument, which allows one to compose...
This position paper presents the concept of a tangible and modular interconnected “platform” for int...