a! b! In a world that is constantly changing and becoming more open to diversity and equality, filmmakers are faced with the challenge of presenting films and characters that embrace the ever-evolving world around us. In particular, Disney has been presented with this challenge; as a cinema powerhouse with an audience primarily made up of children, there is a perception that Disney has a moral responsibility to present accurate and unbiased representations of all cultures. This paper analyzes how Disney musically represents the Middle East in two Disney feature films, Aladdin and Prince of Persia, and how the musical choices affect American perception of Middle Eastern culture and music. Furthermore, this paper studies how the representatio...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The ideological power of popular culture, and especially of movies, has always prompted public dispu...
Based on comparative, intercategorical intersectional analyses of Aladdin (1992), Mulan (1998), and ...
In a world that is constantly changing and becoming more open to diversity and equality, filmmakers ...
This paper draws on gender as a fundamental cultural mechanism of Disney animated film, Aladdin (199...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
This article examined how Disney presents Middle Eastern culture in the film Aladdin (2019). To anal...
Multiculturalism has transformed in its meaning and significance over the years, but not in its need...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
Thesis (M.M.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Author...
The goal of this paper is to present methods to create a vision of other cultures in three animated ...
MUCH HAS BEEN SAID ABOUT THE RECEPTION of Walt Disney Incorporated's 1993 film Aladdin by Arab-Ameri...
This is a study of ecranisation of a popular folktale “The Story of Aladdin and the Wonderful Lamp” ...
The popular 1992 animated film, Aladdin, takes place in the fictional sultanate of Agrabah and follo...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The ideological power of popular culture, and especially of movies, has always prompted public dispu...
Based on comparative, intercategorical intersectional analyses of Aladdin (1992), Mulan (1998), and ...
In a world that is constantly changing and becoming more open to diversity and equality, filmmakers ...
This paper draws on gender as a fundamental cultural mechanism of Disney animated film, Aladdin (199...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
This article examined how Disney presents Middle Eastern culture in the film Aladdin (2019). To anal...
Multiculturalism has transformed in its meaning and significance over the years, but not in its need...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
Thesis (M.M.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Author...
The goal of this paper is to present methods to create a vision of other cultures in three animated ...
MUCH HAS BEEN SAID ABOUT THE RECEPTION of Walt Disney Incorporated's 1993 film Aladdin by Arab-Ameri...
This is a study of ecranisation of a popular folktale “The Story of Aladdin and the Wonderful Lamp” ...
The popular 1992 animated film, Aladdin, takes place in the fictional sultanate of Agrabah and follo...
This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nigh...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The ideological power of popular culture, and especially of movies, has always prompted public dispu...
Based on comparative, intercategorical intersectional analyses of Aladdin (1992), Mulan (1998), and ...