A synchronous database of acoustic and 3D facial marker data was built for audio-visual laughter synthesis. Since the aim is to use this database for HMM-based modeling and synthesis, the amount of collected data from one given subject had to be maximized. The corpus contains 251 utterances of laughter from one male participant. Laughter was elicited with the help of humorous videos. The resulting database is synchronous between modalities (audio and 3D facial motion capture data). Visual 3D data is available in common formats such as BVH and C3D with head motion and facial deformation independently available. Data is segmented and audio has been annotated. Phonetic transcriptions are available in the HTK-compatible format. Principal compon...
In this paper we focus on three aspects of multimodal ex-pressions of laughter. First, we propose a ...
Past research on automatic laughter classification/detection has focused mainly on audio-based appro...
In this paper we focus on three aspects of multimodal expressions of laughter. First, we propose a p...
In this paper we propose an overview of a project aiming at building an audio-visual laughter synthe...
Laughter is a significant paralinguistic cue that is largely ignored in multimodal affect analysis. ...
Laughter is a significant paralinguistic cue that is largely ignored in multimodal affect analysis. ...
Abstract. The aim of the Multimodal and Multiperson Corpus of Laugh-ter in Interaction (MMLI) was to...
International audienceLaughter is an important communicative signal in human-human communication. It...
ABSTRACT Laughter is an important communicative signal in humanhuman communication. However, very fe...
Laughter and smiling are significant facial expressions used in human to human communication. We pre...
1 Free translation: Only those who love to laugh are serious people. The others are taking themselve...
Communication between humans deeply relies on our capability of experiencing, expressing, and recogn...
Laughter is a highly variable signal, and can express a spectrum of emotions. This makes the automat...
Abstract—Laughter is clearly an audiovisual event, consist-ing of the laughter vocalization and of f...
We have created a synchronous corpus of acoustic and 3D facial marker data from multiple speakers fo...
In this paper we focus on three aspects of multimodal ex-pressions of laughter. First, we propose a ...
Past research on automatic laughter classification/detection has focused mainly on audio-based appro...
In this paper we focus on three aspects of multimodal expressions of laughter. First, we propose a p...
In this paper we propose an overview of a project aiming at building an audio-visual laughter synthe...
Laughter is a significant paralinguistic cue that is largely ignored in multimodal affect analysis. ...
Laughter is a significant paralinguistic cue that is largely ignored in multimodal affect analysis. ...
Abstract. The aim of the Multimodal and Multiperson Corpus of Laugh-ter in Interaction (MMLI) was to...
International audienceLaughter is an important communicative signal in human-human communication. It...
ABSTRACT Laughter is an important communicative signal in humanhuman communication. However, very fe...
Laughter and smiling are significant facial expressions used in human to human communication. We pre...
1 Free translation: Only those who love to laugh are serious people. The others are taking themselve...
Communication between humans deeply relies on our capability of experiencing, expressing, and recogn...
Laughter is a highly variable signal, and can express a spectrum of emotions. This makes the automat...
Abstract—Laughter is clearly an audiovisual event, consist-ing of the laughter vocalization and of f...
We have created a synchronous corpus of acoustic and 3D facial marker data from multiple speakers fo...
In this paper we focus on three aspects of multimodal ex-pressions of laughter. First, we propose a ...
Past research on automatic laughter classification/detection has focused mainly on audio-based appro...
In this paper we focus on three aspects of multimodal expressions of laughter. First, we propose a p...