hav vowels and pitch when sung. most reasonableview in thepresent stateof theart is to consider that someaspects ofmusicengagedomain-specificprocesses (Peretz and Zatorre, 2005; Peretz, 2006) while other aspects engage processes that are shared between music and language (Patel, 2003; Peretz and Coltheart, 2003; Peretz and Zatorre, 2005; Price et al., 2006). The aspects of music and speech that are handled by shared processes remain unclear. Pitch height and phonemes, which are joint processing of vowels and pitch in sung stimuli. In a speeded classification task (Garner, 1974) of bisyllabic nonwords sung on two-notemelodic intervals, Kolinsky et al. (2009) observed that vo-wel and pitch dimensions cannot be attended selectively. When the n...
Listeners attend to multidimensional cues in pitch processing, including the spectral shape. While w...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
All languages employ consonants and vowels as discrete contrastive subcomponents of the basic timing...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Whether pitch in language and music is governed by domain-specific or domain-general cognitive mecha...
Abstract: In this study we examined the interaction of fundamental frequency (Fo) differences and bi...
ABSTRACT Speech and music both utilize pitch variation to convey meaning, such as emotional affect. ...
People conceptualize auditory pitch as vertical space: low and high pitch correspond to low and high...
The authors examined how the structural attributes of tonality and meter influence musical pitch–tim...
Studies of musical pitch perception typically treat pitches as if they are stable within a tone. Alt...
Abstract: Music and speech are often cited as characteristically hu-man forms of communication. Both...
Among other cues, pitch and temporal accents contribute to grouping in musical sequences. However, e...
Music and language processing have been repeatedly compared but similarities and differences between...
Two experiments investigated the effect of tonal language background on discrimination of pitch cont...
Listeners attend to multidimensional cues in pitch processing, including the spectral shape. While w...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
All languages employ consonants and vowels as discrete contrastive subcomponents of the basic timing...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Whether pitch in language and music is governed by domain-specific or domain-general cognitive mecha...
Abstract: In this study we examined the interaction of fundamental frequency (Fo) differences and bi...
ABSTRACT Speech and music both utilize pitch variation to convey meaning, such as emotional affect. ...
People conceptualize auditory pitch as vertical space: low and high pitch correspond to low and high...
The authors examined how the structural attributes of tonality and meter influence musical pitch–tim...
Studies of musical pitch perception typically treat pitches as if they are stable within a tone. Alt...
Abstract: Music and speech are often cited as characteristically hu-man forms of communication. Both...
Among other cues, pitch and temporal accents contribute to grouping in musical sequences. However, e...
Music and language processing have been repeatedly compared but similarities and differences between...
Two experiments investigated the effect of tonal language background on discrimination of pitch cont...
Listeners attend to multidimensional cues in pitch processing, including the spectral shape. While w...
Faculty adviser: Andrew OxenhamIn music, timbre differences allow us to distinguish between instrume...
All languages employ consonants and vowels as discrete contrastive subcomponents of the basic timing...