Add to ORKGCopyright is held by the author/owners. We develop a new medium of freeform curation for digital arts catalogues that integrates an infinite zoomable canvas, sketching, and spatial arrangement of rich catalogue elements. We characterize media of curation on two levels: the individual elements that are collected and how those elements are put together through assemblage. The elements of prior digital arts catalogues are assembled using linear lists or grids. These assemblages do not scale well, making them agonizing to wade through when collections are large. Assemblage in our new medium supports curating across multiple scales, easing demands on visual attention, while opening conceptual horizons. We present our artifact, The Digital Curate...
The emergence of new media technologies and their integration into the creative process has led to a...
As aggregations of digitized cultural heritage materials grow larger, it becomes difficult to unders...
Contemporary art institutions’ reluctance to produce virtual exhibitions has been linked to a prevai...
Curating on the web is a site-specific approach that takes into consideration the technological cont...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
Artists have long engaged with digital and networked technologies in critical and creative ways to e...
In this paper, we apply a concept driven interaction design approach to introduce a design theory fo...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
Artists have long engaged with digital and networked technologies in critical and creative ways to e...
Evaluating creativity support environments is challenging. Some approaches address people’s experien...
In this paper, we apply a concept driven interaction design approach to introduce a design theory fo...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
While the study of new media art is diverse and encompasses a wide range of art practices, curatoria...
In this paper we will be examining the relevance of interactivity, locativity and visualization to t...
In recent years, cultural heritage institutions, such as museums and libraries, are introducing seve...
The emergence of new media technologies and their integration into the creative process has led to a...
As aggregations of digitized cultural heritage materials grow larger, it becomes difficult to unders...
Contemporary art institutions’ reluctance to produce virtual exhibitions has been linked to a prevai...
Curating on the web is a site-specific approach that takes into consideration the technological cont...
What is the role of the curator when organizing digital art exhibitions in offline and online spaces...
Artists have long engaged with digital and networked technologies in critical and creative ways to e...
In this paper, we apply a concept driven interaction design approach to introduce a design theory fo...
The paper explains two curatorial concepts that propose viable strategies for exhibiting new media a...
Artists have long engaged with digital and networked technologies in critical and creative ways to e...
Evaluating creativity support environments is challenging. Some approaches address people’s experien...
In this paper, we apply a concept driven interaction design approach to introduce a design theory fo...
The book addresses the challenges of preserving and exhibiting media art drawings on theory and inst...
While the study of new media art is diverse and encompasses a wide range of art practices, curatoria...
In this paper we will be examining the relevance of interactivity, locativity and visualization to t...
In recent years, cultural heritage institutions, such as museums and libraries, are introducing seve...
The emergence of new media technologies and their integration into the creative process has led to a...
As aggregations of digitized cultural heritage materials grow larger, it becomes difficult to unders...
Contemporary art institutions’ reluctance to produce virtual exhibitions has been linked to a prevai...