This paper describes a generative score display system for algorithmic composition and score presentation developed for use in the author’s work “Appearances.” A performance of the work requires musicians to sight-read scores that are generated during the performance and displayed as common practice notation on screens. The paper outlines the approaches to score generation and display then discusses the practical considerations of performing “Appearances ” using the system
Scores designed to be displayed on screens provide the opportunity for composers to dynamically upda...
This paper describes the rationale behind the development of a digital performance system which enab...
The , , author describes a recent composition for piano andcomputer in which the score performed by ...
This paper describes a generative score display system for algorithmic composition and score present...
This paper introduces live coding as a new path in the evolution of the musical score. Whilst being ...
The author discusses live coding as a new path in the evolution of the musical score. Live-coding pr...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Recent decades have seen the establishment of computer software live notations intended as music sco...
This paper explores the history and context of generative music dissemination in the form of distrib...
The ability for machines to compose novel, interesting and human-esque music is an important and rec...
The author discusses live coding as a new path in the evolution of the musical score. Live-coding pr...
This paper examines the screening of music notations and the impact of this configuration in a live ...
Live computer music is the perfect medium for generative music systems, for non-linear compositional...
This article examines the evolution of music notational practices from avant-garde-era experiments i...
The text will focus on the connection between moving image and music to what concerns the possibilit...
Scores designed to be displayed on screens provide the opportunity for composers to dynamically upda...
This paper describes the rationale behind the development of a digital performance system which enab...
The , , author describes a recent composition for piano andcomputer in which the score performed by ...
This paper describes a generative score display system for algorithmic composition and score present...
This paper introduces live coding as a new path in the evolution of the musical score. Whilst being ...
The author discusses live coding as a new path in the evolution of the musical score. Live-coding pr...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Recent decades have seen the establishment of computer software live notations intended as music sco...
This paper explores the history and context of generative music dissemination in the form of distrib...
The ability for machines to compose novel, interesting and human-esque music is an important and rec...
The author discusses live coding as a new path in the evolution of the musical score. Live-coding pr...
This paper examines the screening of music notations and the impact of this configuration in a live ...
Live computer music is the perfect medium for generative music systems, for non-linear compositional...
This article examines the evolution of music notational practices from avant-garde-era experiments i...
The text will focus on the connection between moving image and music to what concerns the possibilit...
Scores designed to be displayed on screens provide the opportunity for composers to dynamically upda...
This paper describes the rationale behind the development of a digital performance system which enab...
The , , author describes a recent composition for piano andcomputer in which the score performed by ...