Add to ORKGJudgments on musical interpretation are naturally biased by musicians own approach to performance. Objective comparison representations may help creating a better understanding of music performance techniques as well as developing more expressive sound synthesis systems. This paper discusses vibrato aesthetics and perception, and presents a new method of vibrato representation
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
A novel device called the Vibrochord is proposed and validated for its use in the composition and pr...
This paper deals with the effects of integrated vibrotactile feedback on the "feel" of a digital mus...
This thesis discusses the prospect of integrating vibrotactile feedback into digital musical instrum...
Vibrato is a common feature of most present-day musical performances, from violins to opera singers,...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
International audienceThere are many forms of representation of the sound signal: from the waveform ...
Conceiving digital musical instruments might be challenging in terms of spectator accessibility. Dep...
This article describes the use of representations based on data extracted from the audio signal (son...
The perceived properties of a digital piano keyboard were studied in two experiments involving diffe...
When playing a traditional musical instrument, the performer often relies on vibration that is produ...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
International audienceConceiving digital musical instruments might be challenging in terms of specta...
This paper is concerned with investigating expressive bodily movement in music performance, focussin...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
A novel device called the Vibrochord is proposed and validated for its use in the composition and pr...
This paper deals with the effects of integrated vibrotactile feedback on the "feel" of a digital mus...
This thesis discusses the prospect of integrating vibrotactile feedback into digital musical instrum...
Vibrato is a common feature of most present-day musical performances, from violins to opera singers,...
Vibrato, which is an oscillation in the pitch, loudness or timbre of a musical tone, is a very impor...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
International audienceThere are many forms of representation of the sound signal: from the waveform ...
Conceiving digital musical instruments might be challenging in terms of spectator accessibility. Dep...
This article describes the use of representations based on data extracted from the audio signal (son...
The perceived properties of a digital piano keyboard were studied in two experiments involving diffe...
When playing a traditional musical instrument, the performer often relies on vibration that is produ...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
International audienceConceiving digital musical instruments might be challenging in terms of specta...
This paper is concerned with investigating expressive bodily movement in music performance, focussin...
With current state-of-the-art human movement tracking techology it is possible to represent in real-...
A novel device called the Vibrochord is proposed and validated for its use in the composition and pr...
This paper deals with the effects of integrated vibrotactile feedback on the "feel" of a digital mus...