Abstract This paper explores the relation between female sensuality and the Orient between the 18th and the 20th century from an olfactory perspective. Taking literature, poetry and perfumery as its focus, it shows that olfactory representations of the Orient do not merely reflect the dogma of imperialist society as argued by Said (2003), but that they form a historical trait d'union between Western nations and the Orient, as well as representing a sublime alternative to modern Western ennui
The fragrance is a liquid mixture of aromatic oils or aromatic compounds, fixatives and solvents, us...
Situated at the intersection of gender and sensory histories, this thesis asks how it felt to move t...
This dissertation argues that there is an archive of early modern olfaction and that it provides a r...
This thesis considers the role of smell in art and aesthetics during the late nineteenth and early t...
Fragrance and perfume connect with our most basic and primitive window on the world – our sense of s...
How can you describe a perfume? How can you put into words a presence that is fleeting but intense, ...
This article analyses representations of deodorising products in Australian women’s magazines from 1...
Advertisement, omnipresent in the media and daily life, is constitutive of a widespread cultural pra...
© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. This article analyses represen...
Excessive use of potent scents is a divisive issue, one that has characterized Western society’s dee...
A uniquely powerful marker of ethnic, gender, and class identities, scent can also overwhelm previou...
This thesis examines the representation of the scented female body in the literary culture of late R...
From flowers and perfumes to urban sanitation and personal hygiene, smell—a sense that is simultaneo...
In Orientalism, Eroticism and Modern Visuality in Global Cultures scholars look afresh at representa...
Vision and sound have traditionally been viewed as being the superior senses within epistemology. I ...
The fragrance is a liquid mixture of aromatic oils or aromatic compounds, fixatives and solvents, us...
Situated at the intersection of gender and sensory histories, this thesis asks how it felt to move t...
This dissertation argues that there is an archive of early modern olfaction and that it provides a r...
This thesis considers the role of smell in art and aesthetics during the late nineteenth and early t...
Fragrance and perfume connect with our most basic and primitive window on the world – our sense of s...
How can you describe a perfume? How can you put into words a presence that is fleeting but intense, ...
This article analyses representations of deodorising products in Australian women’s magazines from 1...
Advertisement, omnipresent in the media and daily life, is constitutive of a widespread cultural pra...
© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. This article analyses represen...
Excessive use of potent scents is a divisive issue, one that has characterized Western society’s dee...
A uniquely powerful marker of ethnic, gender, and class identities, scent can also overwhelm previou...
This thesis examines the representation of the scented female body in the literary culture of late R...
From flowers and perfumes to urban sanitation and personal hygiene, smell—a sense that is simultaneo...
In Orientalism, Eroticism and Modern Visuality in Global Cultures scholars look afresh at representa...
Vision and sound have traditionally been viewed as being the superior senses within epistemology. I ...
The fragrance is a liquid mixture of aromatic oils or aromatic compounds, fixatives and solvents, us...
Situated at the intersection of gender and sensory histories, this thesis asks how it felt to move t...
This dissertation argues that there is an archive of early modern olfaction and that it provides a r...