The creation of realistic virtual environments of (almost) completely disappeared historical landscapes is a problematic matter. This is due to three reasons: data imperfection in historical sources, lack of well-suited automatic solutions supporting the creation of such virtual environments, and a poor definition of appropriate visualization, i.e. of what users perceive as realistic. We started from the premise that landscape painters and cartographers were able to capture the essential landscape characteristics without creating a very realistic representation. Proceeding in a similar way, we explore the potentials of non-photorealistic (NPR) representations for a 3D visualization interface. In this paper we explain the three problems that...
Recording, mapping, 3D modeling and visualization for structures of architectural significance and o...
The paper discusses two uses of 3D Visualization and Virtual Reality (hereafter VR) of Cultural Heri...
Planning exhibitions of cultural artifacts is always challenging. Artifacts can be very sensitive to...
Using 3D computer graphics technology, we are able to create virtual reconstructions of (almost comp...
We propose enhancements and generalizations of 3D real-time computer visualization techniques used i...
The complex structure of landscape, from the multiple nature of the term, has motivated recent resea...
The presentation of cultural heritage information is typically addressed with the use of web pages e...
Two current projects of the authors try to approach cultural heritage landscapes from both cultural ...
Computer graphics has become a popular way of interpreting past environments, for educational and en...
The paper discusses two uses of 3D Visualization and Virtual Reality (hereafter VR) of Cultural Heri...
In this paper, we outline how we have embraced the unique aesthetics of purposefully flawed photogr...
The application of virtual reality for cultural heritage, environment, and landscape planning could ...
Despite on-going advances in digital visualization technologies, the messy complexity of the corpore...
The purpose of this paper is to highlight the use of digital mapping and GIS in combination with 3D ...
In the field of visual arts, painted landscapes have always offered the opportunity for artists to p...
Recording, mapping, 3D modeling and visualization for structures of architectural significance and o...
The paper discusses two uses of 3D Visualization and Virtual Reality (hereafter VR) of Cultural Heri...
Planning exhibitions of cultural artifacts is always challenging. Artifacts can be very sensitive to...
Using 3D computer graphics technology, we are able to create virtual reconstructions of (almost comp...
We propose enhancements and generalizations of 3D real-time computer visualization techniques used i...
The complex structure of landscape, from the multiple nature of the term, has motivated recent resea...
The presentation of cultural heritage information is typically addressed with the use of web pages e...
Two current projects of the authors try to approach cultural heritage landscapes from both cultural ...
Computer graphics has become a popular way of interpreting past environments, for educational and en...
The paper discusses two uses of 3D Visualization and Virtual Reality (hereafter VR) of Cultural Heri...
In this paper, we outline how we have embraced the unique aesthetics of purposefully flawed photogr...
The application of virtual reality for cultural heritage, environment, and landscape planning could ...
Despite on-going advances in digital visualization technologies, the messy complexity of the corpore...
The purpose of this paper is to highlight the use of digital mapping and GIS in combination with 3D ...
In the field of visual arts, painted landscapes have always offered the opportunity for artists to p...
Recording, mapping, 3D modeling and visualization for structures of architectural significance and o...
The paper discusses two uses of 3D Visualization and Virtual Reality (hereafter VR) of Cultural Heri...
Planning exhibitions of cultural artifacts is always challenging. Artifacts can be very sensitive to...