Add to ORKGMusicians intuitively describe timbre using adjectives such as bright or clear. This research aims to establish a set of uncorrelated and consistently used timbral adjectives that could be used to control a future synthesis system. Fifteen timbral adjectives were selected from previous studies and refined in a pilot experiment to: bright, clear, warm, thin
Composers often pick specific instruments to convey a given emotional tone in their music, partly du...
When communicating spectral qualities in audio and music productions musicians and audio engineers c...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
Words used to describe timbre are usually difficult to define or relate to a measurable phenomenon. ...
Timbral semantics is the study of adjectives relating to timbre. This thesis takes existing researc...
A study on the verbal attributes of musical timbre was con-ducted in an effort to identify the most ...
Because humans lack a sensory vocabulary for auditory experiences, timbral qualities of sounds are o...
This paper explores whether words used to describe pipe organ ensembles have correlation with specif...
Timbre is a misleadingly simple word that encompassesnot only a very complex set of auditory attribu...
How can we provide interfaces to synthesis algorithms thatwill allow us to manipulate timbre directl...
Musical timbre is a complex and multidimensional entity which provides information regarding the pr...
Three experiments examined the dynamic attributes of timbre by evaluating the role of onsets in simi...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Musicians and music lovers often use non-technical words to describe the quality of the sounds they ...
This paper presents the timbre model, a signal model which has been built to better understand the ...
Composers often pick specific instruments to convey a given emotional tone in their music, partly du...
When communicating spectral qualities in audio and music productions musicians and audio engineers c...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
Words used to describe timbre are usually difficult to define or relate to a measurable phenomenon. ...
Timbral semantics is the study of adjectives relating to timbre. This thesis takes existing researc...
A study on the verbal attributes of musical timbre was con-ducted in an effort to identify the most ...
Because humans lack a sensory vocabulary for auditory experiences, timbral qualities of sounds are o...
This paper explores whether words used to describe pipe organ ensembles have correlation with specif...
Timbre is a misleadingly simple word that encompassesnot only a very complex set of auditory attribu...
How can we provide interfaces to synthesis algorithms thatwill allow us to manipulate timbre directl...
Musical timbre is a complex and multidimensional entity which provides information regarding the pr...
Three experiments examined the dynamic attributes of timbre by evaluating the role of onsets in simi...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Musicians and music lovers often use non-technical words to describe the quality of the sounds they ...
This paper presents the timbre model, a signal model which has been built to better understand the ...
Composers often pick specific instruments to convey a given emotional tone in their music, partly du...
When communicating spectral qualities in audio and music productions musicians and audio engineers c...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...