Add to ORKGIn our analysis of Chilean film director Patricio Guzman's Nostalgia de la luz (2010), we focus on how the aesthetic treatment of the images produces new ways of studying historic memory. The documentary deals with one of Guzman's recurring themes: Chile’s recent dictartorship and its effects. We also analyze the different temporalities emerging in the Atacama Desert: what kinds of temporal connections occur in the composition of certain images, and what kinds of possibilities those temporary transformations offer
Two ways are followed in the construction of memory in cinema. First, governments use cinema as a me...
The relationship between history, politics and memory has been a structuring milestone in the work o...
On the path of El caso Pinochet (2001) and Salvador Allende (2004), Nostalgia de la luz (2010) of Pa...
In our analysis of Chilean film director Patricio Guzman's Nostalgia de la luz (2010), we focus on h...
The poetic aesthetic of Patricio Guzman’s documentary Nostalgia for the Light (2010) ponders the nat...
Focusing on two documentary films by Patricio Guzmán, $\textit{Chile, Obstinate Memory}$ (1997) and,...
The aim of this paper is to analyze the diverse abstract and cinematic approaches that Guzmán uses t...
This article examines the way in which, through the construction of spaces, two Chilean documentarie...
This article proposes an interpretation of the film Nostalgia de la luz (Nostalgia for the Light, 20...
This paper tests the capacity of media and popular culture to articulate complex ecological ideas, c...
Despite the deep personal resonances and historical significance found in Chilean post-dictatorship ...
Nostalgia for the Light is a 2011 documentary directed by Patrick Guzman set in the Atacama Desert i...
The people of Spain and Chile have dealt with the painful histories of their military dictatorships ...
In this article, I draw on Sara Ahmed’s theorization of “queer phenomenology” to examine the re-orie...
This article posits a subjective shift in the representation of history of the Latin America documen...
Two ways are followed in the construction of memory in cinema. First, governments use cinema as a me...
The relationship between history, politics and memory has been a structuring milestone in the work o...
On the path of El caso Pinochet (2001) and Salvador Allende (2004), Nostalgia de la luz (2010) of Pa...
In our analysis of Chilean film director Patricio Guzman's Nostalgia de la luz (2010), we focus on h...
The poetic aesthetic of Patricio Guzman’s documentary Nostalgia for the Light (2010) ponders the nat...
Focusing on two documentary films by Patricio Guzmán, $\textit{Chile, Obstinate Memory}$ (1997) and,...
The aim of this paper is to analyze the diverse abstract and cinematic approaches that Guzmán uses t...
This article examines the way in which, through the construction of spaces, two Chilean documentarie...
This article proposes an interpretation of the film Nostalgia de la luz (Nostalgia for the Light, 20...
This paper tests the capacity of media and popular culture to articulate complex ecological ideas, c...
Despite the deep personal resonances and historical significance found in Chilean post-dictatorship ...
Nostalgia for the Light is a 2011 documentary directed by Patrick Guzman set in the Atacama Desert i...
The people of Spain and Chile have dealt with the painful histories of their military dictatorships ...
In this article, I draw on Sara Ahmed’s theorization of “queer phenomenology” to examine the re-orie...
This article posits a subjective shift in the representation of history of the Latin America documen...
Two ways are followed in the construction of memory in cinema. First, governments use cinema as a me...
The relationship between history, politics and memory has been a structuring milestone in the work o...
On the path of El caso Pinochet (2001) and Salvador Allende (2004), Nostalgia de la luz (2010) of Pa...