Throughout history, societies have experienced their everyday lives through sensory models built by them, determining a field of possibilities of the visible and the invisible, the tactile and non-tactile, olfactory and odorless, the taste and the insipid thing. The senses, in addition to be a means of perception of physical experiences, can be conceptualised as social phenomena and historical formations since their meanings are modified over time. Actively involved in the social construction of a culture due to sensory perceptions include, while at the same time define, the areas in which the economic and political activities, and social practices are developed. Different sounds of human beings, issued by themselves or caused by words, dee...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
In the discussions of the Frankfurt Council of 794 some elements of the material culture which are e...
Este artículo determina los elementos que caracterizan la transformación del paisaje sonoro habitual...
This paper seeks to develop some conceptual elements that articulated the social construction of the...
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical...
In this study, we will make a first approximation to one of the most complex festive events of the C...
En el discurso manuelino, la sonoridad jugó un papel central al momento de constituir la identidad n...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
If we want to know and be able to understand how medieval men and women perceived, felt and thought ...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
In the discussions of the Frankfurt Council of 794 some elements of the material culture which are e...
Este artículo determina los elementos que caracterizan la transformación del paisaje sonoro habitual...
This paper seeks to develop some conceptual elements that articulated the social construction of the...
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical...
In this study, we will make a first approximation to one of the most complex festive events of the C...
En el discurso manuelino, la sonoridad jugó un papel central al momento de constituir la identidad n...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
International audienceCultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents...
If we want to know and be able to understand how medieval men and women perceived, felt and thought ...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
The past 20 years have witnessed a turn towards the sensuous, particularly the aural, as a viable sp...
In the discussions of the Frankfurt Council of 794 some elements of the material culture which are e...
Este artículo determina los elementos que caracterizan la transformación del paisaje sonoro habitual...