Fashioning a new materialist agenda, this essay calls for sensitivity to subtly moving matters present in the processes of making and encountering art. Otherwise, it claims, we will end up with seriously restricted understandings of art’s capabilities. Indeed, we might even miss art’s most inventive and moving offering: how it can change our thinking-feeling. In this essay, I suggest methods of relating to art in more bodily and material terms, and propose concepts that help to point out the materiality of encountering and making art. To make sense of how a new materialist approach might work in the case of contemporary art, I will offer three propositions that revolve around ontology, ethics and politics. These propositions arise from part...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
www.sotolbooks.com/clairecpark/ The politics of creating art pertains to assumptions relating to a g...
In his 1967 essay, “Art and Objecthood”, Michael Fried bemoaned the theatricality of minimalist scul...
New Materialisms rethinks the relevance of materialist philosophy in the midst of a world shaped by ...
The “material” turn has steadily gained currency in cultural studies and the humanities, with schola...
The second half of the 20th century - culture and art theory diagnosed the crisis of Western civiliz...
Collection of writing on contemporary realist and materialist projects. Realism Materialism Art (...
A number of historical philosophical theories relate to materiality in contemporary art and the role...
Recent philosophical tendencies of “Actor-Network Theory,” “Object-Oriented Ontology,” and “Speculat...
New materialism (and new materialisms) is part of the material turn currently sweeping through the H...
This essay grew out of my curatorial work and my essay 'The Uncommon Object: Surrealist Concepts and...
The modern world is continuously engaged in a racing processes aimed towards building a favourable f...
This preface to the special section Movement, Aesthetics, Ontology: Generating New Materialisms in A...
This essay has three parts. The first moves from what artists confronted when China was first opened...
"This anthology focuses on the moments when materials become willful actors and agents within artist...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
www.sotolbooks.com/clairecpark/ The politics of creating art pertains to assumptions relating to a g...
In his 1967 essay, “Art and Objecthood”, Michael Fried bemoaned the theatricality of minimalist scul...
New Materialisms rethinks the relevance of materialist philosophy in the midst of a world shaped by ...
The “material” turn has steadily gained currency in cultural studies and the humanities, with schola...
The second half of the 20th century - culture and art theory diagnosed the crisis of Western civiliz...
Collection of writing on contemporary realist and materialist projects. Realism Materialism Art (...
A number of historical philosophical theories relate to materiality in contemporary art and the role...
Recent philosophical tendencies of “Actor-Network Theory,” “Object-Oriented Ontology,” and “Speculat...
New materialism (and new materialisms) is part of the material turn currently sweeping through the H...
This essay grew out of my curatorial work and my essay 'The Uncommon Object: Surrealist Concepts and...
The modern world is continuously engaged in a racing processes aimed towards building a favourable f...
This preface to the special section Movement, Aesthetics, Ontology: Generating New Materialisms in A...
This essay has three parts. The first moves from what artists confronted when China was first opened...
"This anthology focuses on the moments when materials become willful actors and agents within artist...
Experiencing aesthetics and aesthetic experience has, for a long time, been perceived as the purpose...
www.sotolbooks.com/clairecpark/ The politics of creating art pertains to assumptions relating to a g...
In his 1967 essay, “Art and Objecthood”, Michael Fried bemoaned the theatricality of minimalist scul...