Abstract. This paper presents a physically informed rolling sound syn-thesis model for the MétaSon synthesis platform. The aim of this sound synthesis platform will be shortly described. As shown in the state of the art, both in terms of sound effects and proposed controls, existing models can be improved. Some details on asymmetric rolling objects will be given and the sound synthesis model will be exposed. Perspectives for further studies and work in progress will be discussed
International audienceThis paper is concerned with perceptual control strategies for physical modeli...
cote interne IRCAM: Lagrange10aNational audienceThis paper introduces an analysis/synthesis scheme t...
This paper describes the design and control of a digital synthesis engine developed to imitate the s...
International audienceThis paper presents a physically informed rolling sound synthesis model for th...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
iAbstract In this thesis, various sound analysis/re-synthesis schemes are investigated in a source/f...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
A rolling composition addresses the intimidation of interacting with a sound making instrument throu...
In this paper we provide a detailed description of the development of a new interface for musical ex...
International audienceIn this paper, we propose a control strategy for synthesized continuous intera...
Rod Selfridge is funded by ESPRC, Grant EP/G03723X/1. David Moffat is funded by EPSRC Studentship—Aw...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
Develops concepts, methods and a prototype for an audio framework that describes sounds on a highly ...
In this thesis both the mechanics and the perception of the sounds from rolling and bouncing objects...
International audienceThis paper is concerned with perceptual control strategies for physical modeli...
cote interne IRCAM: Lagrange10aNational audienceThis paper introduces an analysis/synthesis scheme t...
This paper describes the design and control of a digital synthesis engine developed to imitate the s...
International audienceThis paper presents a physically informed rolling sound synthesis model for th...
International audienceThis paper presents a physically inspired source-filter model for rolling soun...
International audienceThis paper presents a rolling sound synthesis model which can be intuitively c...
iAbstract In this thesis, various sound analysis/re-synthesis schemes are investigated in a source/f...
In this paper, we investigate a control strategy of synthesized inter-action-sounds. The framework o...
A rolling composition addresses the intimidation of interacting with a sound making instrument throu...
In this paper we provide a detailed description of the development of a new interface for musical ex...
International audienceIn this paper, we propose a control strategy for synthesized continuous intera...
Rod Selfridge is funded by ESPRC, Grant EP/G03723X/1. David Moffat is funded by EPSRC Studentship—Aw...
International audienceIn this paper, we investigate a control strategy of synthesized interaction-so...
Develops concepts, methods and a prototype for an audio framework that describes sounds on a highly ...
In this thesis both the mechanics and the perception of the sounds from rolling and bouncing objects...
International audienceThis paper is concerned with perceptual control strategies for physical modeli...
cote interne IRCAM: Lagrange10aNational audienceThis paper introduces an analysis/synthesis scheme t...
This paper describes the design and control of a digital synthesis engine developed to imitate the s...