Media representations of the Philippine indigenous people Igorot continue to exoticize and freeze them in an ideal, primitive past. This paper foregrounds certain cultural products now being produced by the Igorot using modern technology and media. In these self-conscious products, where they exercise agency, how are they representing themselves? In such songs where they use their own languages, they construct who they are and what they have become. Using mostly American folk, rock and country melodies, they tell stories of how they are making sense of their experiences in an unevenly globalizing, runaway world
A resurgence of interest in the Philippine gongs and drum tradition called kulintang took place in t...
This research explores the concept of community development among the Igorot Indigenous Peoples in B...
This thesis examines how indigenous Papua New Guinean notions of identity and belonging are embodied...
Spanish and American colonisers ascribed the identity 'Igorot' to the peoples of the northern Philip...
This study explored whether radio had an impact on the indigenous peoples or Bihug of Camarines Nort...
This paper focuses on the process of genre formation in the evolution of popular music of the Philip...
This ethnography examines the processes in which rooted but overlapping forms of cosmopolitan engage...
M.A. University of Hawaii at Manoa 2014.Includes bibliographical references.The rondalla is a plucke...
Case studies that highlight the complex musical lives of Igorots, a minority group from Northern Phi...
This study is the first extensive examination of musical activity of the Filipino community in Chri...
Gender, ethnicity, landscape, nation — none exist as real places or categories but as the effect of ...
The study collected and analyzed the content, theme, and virtues nested in the indigenous Ilocano so...
Using music and voice to express cultural identity is a tradition inherent in musical communities th...
Gender, ethnicity, landscape, nation — none exist as real places or categories but as the effect of ...
The Ifugao is one of the well-studied indigenous peoples in the Philippines from the Cordillera Reg...
A resurgence of interest in the Philippine gongs and drum tradition called kulintang took place in t...
This research explores the concept of community development among the Igorot Indigenous Peoples in B...
This thesis examines how indigenous Papua New Guinean notions of identity and belonging are embodied...
Spanish and American colonisers ascribed the identity 'Igorot' to the peoples of the northern Philip...
This study explored whether radio had an impact on the indigenous peoples or Bihug of Camarines Nort...
This paper focuses on the process of genre formation in the evolution of popular music of the Philip...
This ethnography examines the processes in which rooted but overlapping forms of cosmopolitan engage...
M.A. University of Hawaii at Manoa 2014.Includes bibliographical references.The rondalla is a plucke...
Case studies that highlight the complex musical lives of Igorots, a minority group from Northern Phi...
This study is the first extensive examination of musical activity of the Filipino community in Chri...
Gender, ethnicity, landscape, nation — none exist as real places or categories but as the effect of ...
The study collected and analyzed the content, theme, and virtues nested in the indigenous Ilocano so...
Using music and voice to express cultural identity is a tradition inherent in musical communities th...
Gender, ethnicity, landscape, nation — none exist as real places or categories but as the effect of ...
The Ifugao is one of the well-studied indigenous peoples in the Philippines from the Cordillera Reg...
A resurgence of interest in the Philippine gongs and drum tradition called kulintang took place in t...
This research explores the concept of community development among the Igorot Indigenous Peoples in B...
This thesis examines how indigenous Papua New Guinean notions of identity and belonging are embodied...