Add to ORKGThis paper explores three tonal properties of pitch-class sets. Tonal implication is the key that a set implies; tonal ambiguity is the degree to which a set implies one key as opposed to several; tonalness is the degree to which a set is characteristic of the lan-guage of common-practice tonal music. I propose a simple probabilistic framework for measuring these three properties. I then examine some applications of the theory, focusing on the measurement of tonal ambiguity and how this sheds light on some issues of compositional practice and tonal analysis
This website gathers together a series of analyses and commentaries carried out using the Tonalities...
Tones and sonorities that occur more often in a passage of music are more likely to be perceived as ...
grantor: University of TorontoThe role of pitch distributional information in listeners pe...
Tonality, or musical key, is the central organizational principle of pitch in common-practice Wester...
Pitch-class distributions are of central relevance in music information retrieval, computational mus...
Music composed of tones (in the psychoacoustical sense of sounds that have pitch) can never be compl...
This work explores the limitations of exiting approaches to computational modelling and description ...
... key-finding, which holds that listeners identify key by monitoring the distribution of pitch-cla...
of tonality and meter in music perception, there is little work on how these fundamental properties ...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Perceiving the tonality of a musical passage is a fundamental aspect of the experience of hearing mu...
The goal of this paper is to discuss a substantive rather than a formal parallel between language an...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Most current approaches to key-finding, either from symbolic data such as MIDI or from digital audio...
A musical tone is the musical perception of a physical sound frequency. It has been empirically fou...
This website gathers together a series of analyses and commentaries carried out using the Tonalities...
Tones and sonorities that occur more often in a passage of music are more likely to be perceived as ...
grantor: University of TorontoThe role of pitch distributional information in listeners pe...
Tonality, or musical key, is the central organizational principle of pitch in common-practice Wester...
Pitch-class distributions are of central relevance in music information retrieval, computational mus...
Music composed of tones (in the psychoacoustical sense of sounds that have pitch) can never be compl...
This work explores the limitations of exiting approaches to computational modelling and description ...
... key-finding, which holds that listeners identify key by monitoring the distribution of pitch-cla...
of tonality and meter in music perception, there is little work on how these fundamental properties ...
This paper briefly illustrates the concepts of tone-lattices, scales, periodicity and notational sys...
Perceiving the tonality of a musical passage is a fundamental aspect of the experience of hearing mu...
The goal of this paper is to discuss a substantive rather than a formal parallel between language an...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Most current approaches to key-finding, either from symbolic data such as MIDI or from digital audio...
A musical tone is the musical perception of a physical sound frequency. It has been empirically fou...
This website gathers together a series of analyses and commentaries carried out using the Tonalities...
Tones and sonorities that occur more often in a passage of music are more likely to be perceived as ...
grantor: University of TorontoThe role of pitch distributional information in listeners pe...