The paper addresses the problem of deriving synthetic impulse responses for auralization and spatialization systems, starting from the results of room-acoustics simulation programs. As it is well known, usually these numerical models are based on geometrical acoustics, and produce as output octave-band energetic impulse responses. These impulse responses have to be converted in wide-band waveform for being used as FIR filters, which can be convolved with dry signals, obtaining synthetic surround sound in various formats. The authors already developed in the past a suitable wide-band conversion algorithm for mono (omnidirectional receiver) impulse response and for binaural impulse responses. In this paper, all the various possible “surround ...
This article pertains to parametric rendering of microphone array impulse responses, such that the s...
Binaural room scanning (BRS) files for the simulation of a 56-channel circular loudspeaker array wit...
A new hybrid simulation method for room acoustics is presented. It is grounded on two well known num...
The simulation of spatialization is a matter of great concern. In this paper the auralization techni...
The results of most room acoustics simulation codes are usually energetic reflectograms with limited...
This paper describes a novel method to simulate an multi-channel audio experience using stereo headp...
Auralisation is the process of rendering virtual sound fields. It is used in areas including: acoust...
For virtual audio reproduction, simulation of an acoustic enclosure is generally performed to add re...
This dissertation contains a collection of publications devoted to the technical and perceptual impr...
In every-day listening the auditory event perceived by a listener is determined not only by the soun...
International audienceThe spatial decomposition method (SDM) can be used to parametrize and reproduc...
We evaluate a new technique for synthesizing individualized binaural room impulse responses for head...
The following paper presents the first results obtained in a recently growing-up Digital Signal Proc...
The use of loudspeaker arrays to create a spatial impression within an auditorium requires the exact...
This paper describes novel methods for evoking a multichannel audio experience over stereo head...
This article pertains to parametric rendering of microphone array impulse responses, such that the s...
Binaural room scanning (BRS) files for the simulation of a 56-channel circular loudspeaker array wit...
A new hybrid simulation method for room acoustics is presented. It is grounded on two well known num...
The simulation of spatialization is a matter of great concern. In this paper the auralization techni...
The results of most room acoustics simulation codes are usually energetic reflectograms with limited...
This paper describes a novel method to simulate an multi-channel audio experience using stereo headp...
Auralisation is the process of rendering virtual sound fields. It is used in areas including: acoust...
For virtual audio reproduction, simulation of an acoustic enclosure is generally performed to add re...
This dissertation contains a collection of publications devoted to the technical and perceptual impr...
In every-day listening the auditory event perceived by a listener is determined not only by the soun...
International audienceThe spatial decomposition method (SDM) can be used to parametrize and reproduc...
We evaluate a new technique for synthesizing individualized binaural room impulse responses for head...
The following paper presents the first results obtained in a recently growing-up Digital Signal Proc...
The use of loudspeaker arrays to create a spatial impression within an auditorium requires the exact...
This paper describes novel methods for evoking a multichannel audio experience over stereo head...
This article pertains to parametric rendering of microphone array impulse responses, such that the s...
Binaural room scanning (BRS) files for the simulation of a 56-channel circular loudspeaker array wit...
A new hybrid simulation method for room acoustics is presented. It is grounded on two well known num...