Add to ORKGThe animated feature films of Studio Ghibli are contemporary works of art which also incorporate Japanese artistic and cultural traditions. Human’s relationship with nature and the gods of nature (kami), continuity and change, the bitter-sweet awareness of the transience of beauty, life and love (mono no aware) and the struggle between and accommodation of old and new, good and bad are recurring themes in Japanese art and literature. This essay examines how these artistic traditions are expressed through stories
Japanese animation, known as “anime,” is one of the most rapidly expanding forms of visual popular c...
Common dualistic thinking in environmental design education adopts humans and the environment as sep...
[Abstract] In this chapter I delve into the many postmodern manifestations of Studio Ghibli’s produ...
Our relationship with nature is complex and exploring this extends beyond academia. Animated films w...
The central focus is an analysis and discussion of the representation of the relationship between hu...
The director Hayao Miyazaki at the animation company Studio Ghibli is known for creating exciting an...
This article explores how the concept of the Romantic sublime is presented within the filmography of...
Abstract: As a counterpoint to the Western notion of the Sublime, which represents Nature as a forc...
This thesis looks at the relationship between the landscape as representation and as\ud reality in J...
Akira Kurosawa and Hayao Miyazaki have been great influencers in the fields of live action and anima...
This essay performs a cultural reading, and explores the stages of cultural learning of characters i...
Our relationship with nature is complex and exploring this extends beyond academia. Animated films w...
This article examines how Studio Ghibli constructs the mundane activities shown in their films as sp...
Anime, or "cartoon" in Japanese, although considered as a product made solely for children's enterta...
The article explores representation of Western and Eastern Culture using an example of Japanese anim...
Japanese animation, known as “anime,” is one of the most rapidly expanding forms of visual popular c...
Common dualistic thinking in environmental design education adopts humans and the environment as sep...
[Abstract] In this chapter I delve into the many postmodern manifestations of Studio Ghibli’s produ...
Our relationship with nature is complex and exploring this extends beyond academia. Animated films w...
The central focus is an analysis and discussion of the representation of the relationship between hu...
The director Hayao Miyazaki at the animation company Studio Ghibli is known for creating exciting an...
This article explores how the concept of the Romantic sublime is presented within the filmography of...
Abstract: As a counterpoint to the Western notion of the Sublime, which represents Nature as a forc...
This thesis looks at the relationship between the landscape as representation and as\ud reality in J...
Akira Kurosawa and Hayao Miyazaki have been great influencers in the fields of live action and anima...
This essay performs a cultural reading, and explores the stages of cultural learning of characters i...
Our relationship with nature is complex and exploring this extends beyond academia. Animated films w...
This article examines how Studio Ghibli constructs the mundane activities shown in their films as sp...
Anime, or "cartoon" in Japanese, although considered as a product made solely for children's enterta...
The article explores representation of Western and Eastern Culture using an example of Japanese anim...
Japanese animation, known as “anime,” is one of the most rapidly expanding forms of visual popular c...
Common dualistic thinking in environmental design education adopts humans and the environment as sep...
[Abstract] In this chapter I delve into the many postmodern manifestations of Studio Ghibli’s produ...
