In Na, a Sino-Tibetan language with lexical tones, some reduplication schemes involve tone change, whereas others consist in full reduplication without tone change. The synchronic coexistence of these two sets allows for an experimental comparison, which leads to a simple explanation. Both sets appear to originate in total reduplication, without tone change, the schemes which now involve tone change resulting from a later evolution: the phonologisation of the effect of intonational boundaries on pitch. A High tone in final position within the reduplicated compound is lowered to Mid; an initial Low tone is raised, also to Mid. A reflection is set out concerning the historical conditions under which the allophonic variation of lexical tones c...
This paper discusses the prosody of Naxi, Yongning Na and Laze, three Sino-Tibetan languages of the ...
A long-standing problem in analyzing Bantu verbal reduplication is to account for why tone does not ...
Western Naxi has three tones (High, Mid and Low) plus a more recent rising contour tone. The first p...
International audienceIn Na, a Sino-Tibetan language with lexical tones, some reduplication schemes ...
La pagination est identique à celle de la version paginée par l'éditeur.La version "éditeur" sera li...
Since it appeared, the present paper has been superseded by more detailed descriptions: an article i...
Since it appeared, the present paper has been superseded by more detailed descriptions: an article i...
The draft has been circulated among colleagues since 2012. A first version was deposited in the HAL-...
"Yongning Na, also known as Mosuo, is a Sino-Tibetan language spoken in Southwest China. This book p...
The Western dialect of Naxi has four lexical tones: High, Mid, Low and Rising; the latter is rare in...
The document available online is the authors' final version of the article as accepted for publicati...
Lama Reduplication presents segmental and prosodic feature variations such vowel reduction, stranded...
The origin of tone, also known as tonogenesis, has long been a topic of great interest in language e...
International audienceThe starting-point of this study is the hypothesis (suggested by an overview o...
According to the domain-based classification of tone systems (Ding 2009), the syllable-tone system t...
This paper discusses the prosody of Naxi, Yongning Na and Laze, three Sino-Tibetan languages of the ...
A long-standing problem in analyzing Bantu verbal reduplication is to account for why tone does not ...
Western Naxi has three tones (High, Mid and Low) plus a more recent rising contour tone. The first p...
International audienceIn Na, a Sino-Tibetan language with lexical tones, some reduplication schemes ...
La pagination est identique à celle de la version paginée par l'éditeur.La version "éditeur" sera li...
Since it appeared, the present paper has been superseded by more detailed descriptions: an article i...
Since it appeared, the present paper has been superseded by more detailed descriptions: an article i...
The draft has been circulated among colleagues since 2012. A first version was deposited in the HAL-...
"Yongning Na, also known as Mosuo, is a Sino-Tibetan language spoken in Southwest China. This book p...
The Western dialect of Naxi has four lexical tones: High, Mid, Low and Rising; the latter is rare in...
The document available online is the authors' final version of the article as accepted for publicati...
Lama Reduplication presents segmental and prosodic feature variations such vowel reduction, stranded...
The origin of tone, also known as tonogenesis, has long been a topic of great interest in language e...
International audienceThe starting-point of this study is the hypothesis (suggested by an overview o...
According to the domain-based classification of tone systems (Ding 2009), the syllable-tone system t...
This paper discusses the prosody of Naxi, Yongning Na and Laze, three Sino-Tibetan languages of the ...
A long-standing problem in analyzing Bantu verbal reduplication is to account for why tone does not ...
Western Naxi has three tones (High, Mid and Low) plus a more recent rising contour tone. The first p...