The performing arts have been concerned with mediating presence through orchestration, dramatization and choreograph for many centuries. Insights, knowledge and skills have been passed over through ‘direct transmission, from person to person, from generation to generation. Current technology mediated presence design faces similar challenges as the performing arts: how to set a context, how to induce attribution and imagination, how to show the unsaid and more. Some issues have changed radically though with the introduction of digital technology: we can have sensual synchronous experiences while we are not at the same place, we can connect and possibly act in places where we are not present, all mediated presences can be copied endlessly and...
This thesis considers shifting definitions of ‘liveness’ within the fields of performance, music, an...
The presence of the performing body is central to the experience of live art. It is this distinctive...
The integration of digital media into traditional theatre is at once inevitable and impossible. The ...
Feeling present with others – as if we are in the same room even if we are apart – is a key experien...
The nature of computer mediated presence and its relationship to our everyday reality are complex, a...
New technologies are transforming the shape and function of contemporary performance practice. Dance...
Much of the discussion about the incorporation of technologies and mediatised components into perfor...
The presence of the performing body is central to the experience of live art. It is this distinctive...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
How do performers and artists use media technologies to create live events? How have developments in...
In this dissertation I explore the phenomenon that Hans Ulrich Gumbrecht calls presence effects as...
Every performer has a unique practice to perform, a process in which they evoke energies to communic...
The presence of the performing body is central to the experience of live art. It is this distinctive...
This presentation explores the potential of authenticity theory to reframe the integration of vision...
Of giving and receiving // Of giving and taking // Of exchangesReciprocity // Mutuality // Expectati...
This thesis considers shifting definitions of ‘liveness’ within the fields of performance, music, an...
The presence of the performing body is central to the experience of live art. It is this distinctive...
The integration of digital media into traditional theatre is at once inevitable and impossible. The ...
Feeling present with others – as if we are in the same room even if we are apart – is a key experien...
The nature of computer mediated presence and its relationship to our everyday reality are complex, a...
New technologies are transforming the shape and function of contemporary performance practice. Dance...
Much of the discussion about the incorporation of technologies and mediatised components into perfor...
The presence of the performing body is central to the experience of live art. It is this distinctive...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
How do performers and artists use media technologies to create live events? How have developments in...
In this dissertation I explore the phenomenon that Hans Ulrich Gumbrecht calls presence effects as...
Every performer has a unique practice to perform, a process in which they evoke energies to communic...
The presence of the performing body is central to the experience of live art. It is this distinctive...
This presentation explores the potential of authenticity theory to reframe the integration of vision...
Of giving and receiving // Of giving and taking // Of exchangesReciprocity // Mutuality // Expectati...
This thesis considers shifting definitions of ‘liveness’ within the fields of performance, music, an...
The presence of the performing body is central to the experience of live art. It is this distinctive...
The integration of digital media into traditional theatre is at once inevitable and impossible. The ...