Add to ORKGThis paper presents the need for a Spatial Sound Description Interchange Format (SpatDIF) with the aim of creating, stor
cote interne IRCAM: Cacciatore13aNone / NoneNational audienceTamonontamo (2012) is a piece for ampli...
The tools for spatial composition typically model just a small subset of the spatial audio cues know...
International audienceThis paper explores some techniques developed in the creation of the multichan...
International audienceWe present recent works on the representation of spatial-ization data for the ...
We present recent works on the representation of spatial-ization data for the authoring, interchange...
The development of SpatDIF, the Spatial Sound Descrip-tion Interchange Format, continues with the im...
Spatial audio authoring and rendering becomes more and more important for sound designers, musicians...
The requirements of a spatial interchange format for electroacoustic music are examined with a focus...
cote interne IRCAM: Bresson04aNone / NoneNational audienceThis article presents works regarding SDIF...
The SSMN Spatial Taxonomy and its symbols libraries, which are the corner stone of the Spatializatio...
This paper reports on the design of spatial sounds for information environments. This research prima...
Whilst various spatial formats for music reproduction exist their reason for existence is not always...
The motivation for this text is my ongoing research into creating a uniform and comprehensive notati...
This thesis explores the artistic potential to make use of three dimensional, physical space as a ne...
The Sound Description Interchange Format (SDIF) is a recently adopted standard that can store a vari...
cote interne IRCAM: Cacciatore13aNone / NoneNational audienceTamonontamo (2012) is a piece for ampli...
The tools for spatial composition typically model just a small subset of the spatial audio cues know...
International audienceThis paper explores some techniques developed in the creation of the multichan...
International audienceWe present recent works on the representation of spatial-ization data for the ...
We present recent works on the representation of spatial-ization data for the authoring, interchange...
The development of SpatDIF, the Spatial Sound Descrip-tion Interchange Format, continues with the im...
Spatial audio authoring and rendering becomes more and more important for sound designers, musicians...
The requirements of a spatial interchange format for electroacoustic music are examined with a focus...
cote interne IRCAM: Bresson04aNone / NoneNational audienceThis article presents works regarding SDIF...
The SSMN Spatial Taxonomy and its symbols libraries, which are the corner stone of the Spatializatio...
This paper reports on the design of spatial sounds for information environments. This research prima...
Whilst various spatial formats for music reproduction exist their reason for existence is not always...
The motivation for this text is my ongoing research into creating a uniform and comprehensive notati...
This thesis explores the artistic potential to make use of three dimensional, physical space as a ne...
The Sound Description Interchange Format (SDIF) is a recently adopted standard that can store a vari...
cote interne IRCAM: Cacciatore13aNone / NoneNational audienceTamonontamo (2012) is a piece for ampli...
The tools for spatial composition typically model just a small subset of the spatial audio cues know...
International audienceThis paper explores some techniques developed in the creation of the multichan...