The codings of speech and music are different and in some ways complementary. The voice operates on acoustical principles distinctly different from those of (other) musical instruments. This paper explains how and poses the question: are the different codings the result of the different acoustics, or vice versa? What if the instruments came first? This paper develops the conjecture that the pitch stability of notes so important in Western (and other) music may have come first, not from older, unaccompanied song, but from imitation of or performing with musical instruments. 1
The communicative phenomena of tonal music and speech observed in all human societies differ qualita...
This paper explores the importance of preconceptual meaning in speech and music, stressing the role ...
In the production of speech, an acoustic signal is formed when the vocal organs move resulting in a ...
Unlike most artificial instruments, the voice usually has no resonator to stabilise the pitch. Singi...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Speech and music are both based on sounds which are uttered and received, and that can be organized ...
Music takes on a variety of forms in different cultures, but several cross-cultural regularities exi...
Speech and music performance are two important systems for interhuman communication by means of acou...
Throughout Western music from the 1960s until today—in genres and epochs ranging from concert music,...
Parallels between language and music are considered as a useful basis for examining possible e...
How can different theories of the origins of musical scales be weighed up against each other? What i...
This dissertation makes a comparison of language and music. As composer Lerdahl and linguist Jackend...
The goal of this paper is to discuss a substantive rather than a formal parallel between language an...
Abstract: Music and speech are often cited as characteristically hu-man forms of communication. Both...
The communicative phenomena of tonal music and speech observed in all human societies differ qualita...
This paper explores the importance of preconceptual meaning in speech and music, stressing the role ...
In the production of speech, an acoustic signal is formed when the vocal organs move resulting in a ...
Unlike most artificial instruments, the voice usually has no resonator to stabilise the pitch. Singi...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Music and speech are often cited as characteristically human forms of communication. Both share the ...
Speech and music are both based on sounds which are uttered and received, and that can be organized ...
Music takes on a variety of forms in different cultures, but several cross-cultural regularities exi...
Speech and music performance are two important systems for interhuman communication by means of acou...
Throughout Western music from the 1960s until today—in genres and epochs ranging from concert music,...
Parallels between language and music are considered as a useful basis for examining possible e...
How can different theories of the origins of musical scales be weighed up against each other? What i...
This dissertation makes a comparison of language and music. As composer Lerdahl and linguist Jackend...
The goal of this paper is to discuss a substantive rather than a formal parallel between language an...
Abstract: Music and speech are often cited as characteristically hu-man forms of communication. Both...
The communicative phenomena of tonal music and speech observed in all human societies differ qualita...
This paper explores the importance of preconceptual meaning in speech and music, stressing the role ...
In the production of speech, an acoustic signal is formed when the vocal organs move resulting in a ...