Add to ORKGJim Jarmusch’s 1995 anti-Western Dead Man, which a number of critics have celebrated as “the best film of the end of the 20th century,”1 may well be one of the most subtle and one of the most drastic films to represent the mass-slaughter of Native Americans. This essay aims to show that a complex interplay of word and image is at work in this representation. I will here explore thi
The aim of my thesis is to examine the possible motivation behind using Native American themes, part...
Bury My Heart at Wounded Knee (2007) film directed by Yves Simoneauis the unit analysis of this rese...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
Autor prezentuje uniwersalny opis najważniejszych etapów rytuału inicjacyjnego i odnajduje ich odpow...
This senior thesis has two major purposes: One, to investigate and critique how experts characterize...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This study analyzes the Jim Jarmusch film Ghost Dog: The Way of the Samurai from the perspective of ...
ABSTRACT: Film is an effective medium within society for communicating thoughts, visions, fantasies,...
Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first centu...
I create a dialogue between films credited with reviving the Western film genre in the early 1990’s....
Efforts by Native Americans to control their own public image result, in part, from a desire to coun...
Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American...
The aim of my thesis is to examine the possible motivation behind using Native American themes, part...
Bury My Heart at Wounded Knee (2007) film directed by Yves Simoneauis the unit analysis of this rese...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
Autor prezentuje uniwersalny opis najważniejszych etapów rytuału inicjacyjnego i odnajduje ich odpow...
This senior thesis has two major purposes: One, to investigate and critique how experts characterize...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This study analyzes the Jim Jarmusch film Ghost Dog: The Way of the Samurai from the perspective of ...
ABSTRACT: Film is an effective medium within society for communicating thoughts, visions, fantasies,...
Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first centu...
I create a dialogue between films credited with reviving the Western film genre in the early 1990’s....
Efforts by Native Americans to control their own public image result, in part, from a desire to coun...
Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American...
The aim of my thesis is to examine the possible motivation behind using Native American themes, part...
Bury My Heart at Wounded Knee (2007) film directed by Yves Simoneauis the unit analysis of this rese...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...