This article explores the work of Lucy Green in terms of the application of her research to practice in music education classrooms. Three specific topics are explored including: student centered learning, teachers and formal music education, and the organic nature of music learning. The author calls for a critical examination of Greens ’ work in terms of application and suggests that multiple models or modes of implementation and further experimentation may led to a more viable approach to musical learning as it is found in many musical communities
Several music educators engaged in music teacher training observe that practical matters cause stude...
To what extent does research on musical development impact on educational practices in school and th...
Tertiary music studies have come under little scrutiny since the establishment of the conservatoire ...
This article explores the work of Lucy Green in terms of the application of her research to practice...
This collection of previously published articles, chapters and keynotes traces both the theoretical ...
advance a critical examination of research on the informal learning practices that are associated wi...
As part of a panel presentation at the 2008 AERA Conference, this paper seeks to advance a critical ...
Dunbar-Hall, P., & Wemyss, K. (2000). The effects of the study of popular music on music educat...
This article describes an introduction to music education course that engages future teachers in two...
This paper focuses on issues raised when using contemporary music as a basis for developing student’...
© 2019 Dr. Emily WilsonOver the last five decades there have been persistent concerns about low leve...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
The current music education paradigm may be considered an oppressive experience for both students an...
Generalist classroom teachers are being given more responsibility for music education in their schoo...
© 2020 Taylor and Francis. The Learner-Centered Music Classroom: Models and Possibilities is a resou...
Several music educators engaged in music teacher training observe that practical matters cause stude...
To what extent does research on musical development impact on educational practices in school and th...
Tertiary music studies have come under little scrutiny since the establishment of the conservatoire ...
This article explores the work of Lucy Green in terms of the application of her research to practice...
This collection of previously published articles, chapters and keynotes traces both the theoretical ...
advance a critical examination of research on the informal learning practices that are associated wi...
As part of a panel presentation at the 2008 AERA Conference, this paper seeks to advance a critical ...
Dunbar-Hall, P., & Wemyss, K. (2000). The effects of the study of popular music on music educat...
This article describes an introduction to music education course that engages future teachers in two...
This paper focuses on issues raised when using contemporary music as a basis for developing student’...
© 2019 Dr. Emily WilsonOver the last five decades there have been persistent concerns about low leve...
Aural-skills educators are increasingly subscribing to a broad notion of musical ’hearing’, which re...
The current music education paradigm may be considered an oppressive experience for both students an...
Generalist classroom teachers are being given more responsibility for music education in their schoo...
© 2020 Taylor and Francis. The Learner-Centered Music Classroom: Models and Possibilities is a resou...
Several music educators engaged in music teacher training observe that practical matters cause stude...
To what extent does research on musical development impact on educational practices in school and th...
Tertiary music studies have come under little scrutiny since the establishment of the conservatoire ...