This paper gives a summary of our recent developments in applications dealing with sound synthesis control. This work is based on our previous work where the focus was to develop tools to control physical models of musical instruments. Here the starting point was a score that was translated into a sequence of control events. These were used to control a real-time implementation of an instrument model. Recently we have extended this approach so that it can be used to control new virtual instruments. We concentrate in this paper in describing the instrument definition of our system and how it is used to calculate control information for sound synthesis
In this paper we present a synthesizer developed for musical and Virtual Reality purposes that offers...
The aim of this project is to explore the use of the violin as a controller for real time synthesis....
Report for the scientific sojourn carried out at the Music Technology Area (Sound Processing and Con...
This paper describes three simple virtual musical instruments that use physical models to map betwee...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
cote interne IRCAM: Bresson05aInternational audienceThis paper presents current works and future dir...
cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
The aim of this document is to explore the singing voice as a valid musical controller for real-time...
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
In this paper we present a synthesizer developed for musical and Virtual Reality purposes that offers...
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
In this paper we present a synthesizer developed for musical and Virtual Reality purposes that offers...
The aim of this project is to explore the use of the violin as a controller for real time synthesis....
Report for the scientific sojourn carried out at the Music Technology Area (Sound Processing and Con...
This paper describes three simple virtual musical instruments that use physical models to map betwee...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
The control of sound synthesis is a well-known problem. This is particularly true if the sounds are ...
cote interne IRCAM: Bresson05aInternational audienceThis paper presents current works and future dir...
cote interne IRCAM: Bresson05aNone / NoneNational audienceThis paper presents current works and futu...
Electronic sound synthesis continues to offer huge potential possibilities for the creation of new m...
The aim of this document is to explore the singing voice as a valid musical controller for real-time...
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
In this paper we present a synthesizer developed for musical and Virtual Reality purposes that offers...
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications....
In this paper we present a synthesizer developed for musical and Virtual Reality purposes that offers...
The aim of this project is to explore the use of the violin as a controller for real time synthesis....
Report for the scientific sojourn carried out at the Music Technology Area (Sound Processing and Con...