New Interfaces for Musical Expression must speak to the nature of ‘instrument’, that is, it must always be understood that the interface binds to a complex musical phenomenon. This paper explores the nature of engagement, the point of performance that occurs when a human being engages with a computer based instrument. It asks questions about the nature of the instrument in computer music and offers some conceptual models for the mapping of gesture to sonic outcomes
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...
The artistic research project ‘Embodied Gestures’ is coordinated by the Tangible Music Lab of the Un...
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...
New Interfaces for Musical Expression must speak to the nature of 'instrument', that is, it must alw...
New approaches to computer music interfaces must speak to the nature of 'instrument', that is, it mu...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controll...
Laptop performance of computer music has become wide spread in the electronic music community. It br...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
Computer-mediated music control devices compell us to reexaminethe relationship between performer an...
cote interne IRCAM: Cadoz00aInternational audienceIn this article we comment on various definitions ...
The art of engaging with computer music systems is multifaceted. This paper will provide an overview...
AbstractA large variety of musical instruments, either acoustical or digital, are based on a keyboar...
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...
The artistic research project ‘Embodied Gestures’ is coordinated by the Tangible Music Lab of the Un...
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...
New Interfaces for Musical Expression must speak to the nature of 'instrument', that is, it must alw...
New approaches to computer music interfaces must speak to the nature of 'instrument', that is, it mu...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controll...
Laptop performance of computer music has become wide spread in the electronic music community. It br...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
Special issue: Enaction and MusicInternational audienceConsidering the process of artistic creation ...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
Computer-mediated music control devices compell us to reexaminethe relationship between performer an...
cote interne IRCAM: Cadoz00aInternational audienceIn this article we comment on various definitions ...
The art of engaging with computer music systems is multifaceted. This paper will provide an overview...
AbstractA large variety of musical instruments, either acoustical or digital, are based on a keyboar...
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...
The artistic research project ‘Embodied Gestures’ is coordinated by the Tangible Music Lab of the Un...
http://computermusic.org/International audienceReal time and gestual monitoring of the production of...