We hear the melody in music, but we feel the beat. People in all cultures move their bodies to the rhythms of music, whether drumming, sing-ing, dancing, or rocking an infant (1). Body movement involves motor, proprioceptive (per-ception of body position), vestibular (percep-tion of movement and balance), visual, and auditory systems (2), but few studies have ex-amined auditory-vestibular interactions. The ability to feel and interpret the strong and weak beats in a rhythm pattern allows people to move and dance in time to music. Typically, the strong beats of a rhythm pat-tern are played louder, longer, or both, and th
Dancing and singing to music involve auditory-motor coordination and have been essential to our huma...
Music has the capacity to induce movement in humans. Such responses during music listening are usua...
International audienceInspired by theories of perception-action coupling and embodied music cognitio...
We hear the melody in music, but we feel the beat. People in all cultures move their bodies to the r...
We hear the melody in music, but we feel the beat. People in all cultures move their bodies to the r...
Humans show an irresistible urge to move with the rhythm of music. A key aspect driving this audio–m...
Rhythmic movement to music, whether deliberate (e.g., dancing) or inadvertent (e.g., foot-tapping), ...
The perception of beat and meter when listening to musical rhythms is an extremely commonability tha...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
<div><p>Dancing and singing to music involve auditory-motor coordination and have been essential to ...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
Movement to music is a universal human behaviour (Savage, Brown, Sakai & Currie, 2015). Whilst the s...
Rhythmic movement to music, whether deliberate (e.g., dancing) or inadvertent (e.g., foot-tapping), ...
Music makes us move. Several factors can affect the characteristics of such movements, including ind...
The theory of embodied music cognition states that the perception and cognition of music is firmly, ...
Dancing and singing to music involve auditory-motor coordination and have been essential to our huma...
Music has the capacity to induce movement in humans. Such responses during music listening are usua...
International audienceInspired by theories of perception-action coupling and embodied music cognitio...
We hear the melody in music, but we feel the beat. People in all cultures move their bodies to the r...
We hear the melody in music, but we feel the beat. People in all cultures move their bodies to the r...
Humans show an irresistible urge to move with the rhythm of music. A key aspect driving this audio–m...
Rhythmic movement to music, whether deliberate (e.g., dancing) or inadvertent (e.g., foot-tapping), ...
The perception of beat and meter when listening to musical rhythms is an extremely commonability tha...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
<div><p>Dancing and singing to music involve auditory-motor coordination and have been essential to ...
It is increasingly recognized that motor routines dynamically shape the processing of sensory inflow...
Movement to music is a universal human behaviour (Savage, Brown, Sakai & Currie, 2015). Whilst the s...
Rhythmic movement to music, whether deliberate (e.g., dancing) or inadvertent (e.g., foot-tapping), ...
Music makes us move. Several factors can affect the characteristics of such movements, including ind...
The theory of embodied music cognition states that the perception and cognition of music is firmly, ...
Dancing and singing to music involve auditory-motor coordination and have been essential to our huma...
Music has the capacity to induce movement in humans. Such responses during music listening are usua...
International audienceInspired by theories of perception-action coupling and embodied music cognitio...