Amongst the techniques employed for pigment identification on art objects such as paintings or painted decorations in historical documents or artefacts, X-ray fluorescence analysis (XRF), Scanning Electron Microscopy with Energy-dispersive X-ray detection (SEM-EDX), Color Spectroscopy and other are frequently used. For more specific pigment identification however, the use of X-ray diffraction and RAMAN spectroscopy is required. While the former method is based on the identification of crystalline materials present, the latter uses the vibrational fingerprint of the compounds present to identify coloured materials with high specificity. However, in RAMAN spectroscopy, in many cases, these vibrational fingerprints are obscured from view due t...
A set of 27 commercially available pigments by Kremer Pigmente (Aichstetten, Germany), including tra...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...
There are multiple challenges in analysing pigments in historic watercolour paintings on paper, and ...
Analytical pigment investigation can reveal important information for art-historians. The use of two...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
We propose a non-invasive approach for the study of illuminated manuscripts based on the combination...
Raman spectroscopy and X-ray fluorescence (XRF) spectroscopy are often used as complementary techniq...
For the non-destructive identification of pigments and colorants in works of art, in archaeological ...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
Micro-Raman spectroscopy (MRS) is an important molecular spectroscopic technique for the non-destruc...
Organic dyes extracted from plants, insects, and shellfish have been usedfor millennia in dyeing tex...
We propose a non-invasive approach for the identification and mapping of pigments in paintings. The ...
Raman micro-spectroscopy was chosen for analysis and identification of the pigments present in four ...
Raman spectroscopy and X-ray fluorescence (XRF) spectroscopy are often used as complementary techniq...
A set of 27 commercially available pigments by Kremer Pigmente (Aichstetten, Germany), including tra...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...
There are multiple challenges in analysing pigments in historic watercolour paintings on paper, and ...
Analytical pigment investigation can reveal important information for art-historians. The use of two...
Pigment characterisation on paintings and other works of art is crucial for finding solutions to con...
We propose a non-invasive approach for the study of illuminated manuscripts based on the combination...
Raman spectroscopy and X-ray fluorescence (XRF) spectroscopy are often used as complementary techniq...
For the non-destructive identification of pigments and colorants in works of art, in archaeological ...
The analyses of pigments on important paintings is a delicate issue because it is necessary not to h...
Micro-Raman spectroscopy (MRS) is an important molecular spectroscopic technique for the non-destruc...
Organic dyes extracted from plants, insects, and shellfish have been usedfor millennia in dyeing tex...
We propose a non-invasive approach for the identification and mapping of pigments in paintings. The ...
Raman micro-spectroscopy was chosen for analysis and identification of the pigments present in four ...
Raman spectroscopy and X-ray fluorescence (XRF) spectroscopy are often used as complementary techniq...
A set of 27 commercially available pigments by Kremer Pigmente (Aichstetten, Germany), including tra...
There is little information on the actual use of early synthetic organic pigments (SOPs) in art obje...
The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known ...