The purpose of this paper is to propose a method to analyze creative music expressions of a performer in South Indian Classical Music (Carnatic Music). The method performs a qualitative classification of the extracted note sequences in a Carnatic music exposition by defining pattern classes. The classification attributes the note sequences in varying degrees to each of the classes. These pattern classes, based on the formalized Carnatic music theory, help in capturing the dynamics of a performer. This provides a framework for style-based music generation
In this paper, we describe several techniques for detecting tonic pitch value in Indian classical mu...
This work addresses the problem of melodic motif spot-ting, given a query, in Carnatic music. Melody...
This work has been accepted at the 23rd International Society for Music Information Retrieval Confer...
The classical music traditions of the Indian subcontinent,/nHindustani and Carnatic, offer an excell...
We develop a theoretical framework for representation and automated generation of South Indian class...
A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions. The ...
With its origin in the Samveda, composed between 1500-900 BC, the art music of India has evolved thr...
A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions, the ...
A raga is a collective melodic expression consisting of motifs. A raga can be identified using motif...
With its origin in the Samveda, composed between 1500-900 BC, the art music of India has evolved thr...
We address the problem of classifying a given piece of Carnatic art music into one of its several f...
In this paper, we present a graphical method through which we can analyze inherent patterns present ...
Carnatic Music is a South Indian art and devotional music practice in which melodic patterns (motifs...
127-131Music forms an important part of Indian culture. It is believed that Indian music originated...
Niraval is a form of virtuosic musicolinguistic improvisation in Carnatic music whereby a line withi...
In this paper, we describe several techniques for detecting tonic pitch value in Indian classical mu...
This work addresses the problem of melodic motif spot-ting, given a query, in Carnatic music. Melody...
This work has been accepted at the 23rd International Society for Music Information Retrieval Confer...
The classical music traditions of the Indian subcontinent,/nHindustani and Carnatic, offer an excell...
We develop a theoretical framework for representation and automated generation of South Indian class...
A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions. The ...
With its origin in the Samveda, composed between 1500-900 BC, the art music of India has evolved thr...
A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions, the ...
A raga is a collective melodic expression consisting of motifs. A raga can be identified using motif...
With its origin in the Samveda, composed between 1500-900 BC, the art music of India has evolved thr...
We address the problem of classifying a given piece of Carnatic art music into one of its several f...
In this paper, we present a graphical method through which we can analyze inherent patterns present ...
Carnatic Music is a South Indian art and devotional music practice in which melodic patterns (motifs...
127-131Music forms an important part of Indian culture. It is believed that Indian music originated...
Niraval is a form of virtuosic musicolinguistic improvisation in Carnatic music whereby a line withi...
In this paper, we describe several techniques for detecting tonic pitch value in Indian classical mu...
This work addresses the problem of melodic motif spot-ting, given a query, in Carnatic music. Melody...
This work has been accepted at the 23rd International Society for Music Information Retrieval Confer...