This paper presents work in progress on the modelling of emergence in an intelligent music composition/performance system. A model is described which seeks to encourage such emergence by facilitating interaction between musician and system. A complex adaptive systems population of musical behaviours inhabits a landscape which in turn is shaped by a process of description and redescription of the events which constitute its environment. It is suggested that the mutually evolving space thus generated might be considered a useful model of the emotional engagement between musician or listener and an external musical "object"
A framework for musical interaction design and notation based on social network analysis is proposed...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
The evolution of music, from random note strings to certain "pleasant" note sequences, is traced in ...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
AbstractIn this paper we argue there is a need for a formalised description of musical interaction, ...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Abstract. Our research is aimed at investigating the genesis and development of musical styles in ar...
This paper focuses on a methodological framework where the creative design process evolves through i...
Music is understood as a dynamical complex of interacting situated embodied behaviours. These behavi...
This Thesis pursues three main objectives: (i) to use computational modelling to explore how music i...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
A framework for musical interaction design and notation based on social network analysis is proposed...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
A framework for musical interaction design and notation based on social network analysis is proposed...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
The evolution of music, from random note strings to certain "pleasant" note sequences, is traced in ...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
AbstractIn this paper we argue there is a need for a formalised description of musical interaction, ...
In this paper we argue that our comprehension of musical participation—the complex network of intera...
Abstract. Our research is aimed at investigating the genesis and development of musical styles in ar...
This paper focuses on a methodological framework where the creative design process evolves through i...
Music is understood as a dynamical complex of interacting situated embodied behaviours. These behavi...
This Thesis pursues three main objectives: (i) to use computational modelling to explore how music i...
Embodied music cognition provides a valuable and comprehensive research paradigm within systematic m...
A framework for musical interaction design and notation based on social network analysis is proposed...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
A framework for musical interaction design and notation based on social network analysis is proposed...
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling an...
The evolution of music, from random note strings to certain "pleasant" note sequences, is traced in ...