Music can be described in the light of the data structures living inside its smaller particles where time and space are combined into a single piece of information representing a sort of genetic code whose interpretation shows the existence of some cues for explaining and building music itself. Musical events can be read from these well-formed data structures — also known as time trees — which are revealed if the interval is investigated by a model able to preserve all the significant information present in the corresponding physical phenomenon. The common sense model using only two whole numbers is not enough, for there is mathematical and acoustical evidence showing that the interval is an object possessing three different states which de...
How does music structure our ongoing experience of the world? The fact that music dynamically unfold...
This paper explores timescales within absolute and psychological times, and identifies the many fact...
This article discusses the issues in the design of a representational system for music. Following de...
Composition and performance of Computer Music still keep some of the features of traditional music, ...
Music plays a significant role in both the establishment of and immersion in virtual worlds. This ch...
Music is sonic matter shaped in time. As such it calls forth two levels of description: the physical...
The time-span tree of Jackendoff and Lehrdahl’s Generative Theory of Tonal Music is one of the most ...
International audienceA theoretical model is introduced, by the aid of which descriptions of sequent...
What does music signify? And how do listeners make sense of music as a collection of sounding stimul...
This paper investigates the exploration of musical time in Live Electronic Music and discusses the a...
Music comprises of a set of complex simultaneous events organized in time. In this paper we introduc...
This thesis is concerned with the representation of music. It investigates the issues that must be t...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
Interactive music systems are an ideal exploration ground for the testing and incorporation of decis...
Sites for representing music have been classified by the equipollence between their expressive value...
How does music structure our ongoing experience of the world? The fact that music dynamically unfold...
This paper explores timescales within absolute and psychological times, and identifies the many fact...
This article discusses the issues in the design of a representational system for music. Following de...
Composition and performance of Computer Music still keep some of the features of traditional music, ...
Music plays a significant role in both the establishment of and immersion in virtual worlds. This ch...
Music is sonic matter shaped in time. As such it calls forth two levels of description: the physical...
The time-span tree of Jackendoff and Lehrdahl’s Generative Theory of Tonal Music is one of the most ...
International audienceA theoretical model is introduced, by the aid of which descriptions of sequent...
What does music signify? And how do listeners make sense of music as a collection of sounding stimul...
This paper investigates the exploration of musical time in Live Electronic Music and discusses the a...
Music comprises of a set of complex simultaneous events organized in time. In this paper we introduc...
This thesis is concerned with the representation of music. It investigates the issues that must be t...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
Interactive music systems are an ideal exploration ground for the testing and incorporation of decis...
Sites for representing music have been classified by the equipollence between their expressive value...
How does music structure our ongoing experience of the world? The fact that music dynamically unfold...
This paper explores timescales within absolute and psychological times, and identifies the many fact...
This article discusses the issues in the design of a representational system for music. Following de...