This article seeks to investigate the multimodal affordances presented by music software and how it can provide new opportunities for students to engage with composition work in the classroom. It aims to broaden the scope of current research into classroom composition using technology, through a study of students’ environments and compositional processes as seen from these new perspectives. The authors believe there is a now a need for a reconsideration of the scope of multimodal enquiry in the field of creative music
Purpose: Multimodal composing is often romanticized as a flexible approach suitable for all learners...
This paper focuses on immersive learning in a composition-centered curriculum in K–5 general music e...
This anthology presents research projects that examine the intersection between music, technology an...
Having previously been employed to investigate science and English classrooms and listening in the m...
This multimodal (also called digitally borne) text explores the variety of ways technology and multi...
This research project focuses on how middle school and high school music teachers can integrate info...
This study explores how first-year students in a multimodal composition class use digital technology...
Digital technology has revolutionised music composition over recent years and continues to develop a...
Computer software for music has made a significant impact by affecting the perspective of music maki...
Due to advancements, affordability and increased accessibility of technology, composing using comput...
[[abstract]]The purpose of this study is to inquire the curriculum design of creating music with com...
In this article, Shand describes a variety of composer-in-the-classroom programs, including Creating...
The last twenty years have exhibited unprecedented growth of music technology in the fields of comme...
This anthology presents research projects that examine the intersection between music, technology an...
A project was undertaken in a Hong Kong primary school to investigate the role of music notation sof...
Purpose: Multimodal composing is often romanticized as a flexible approach suitable for all learners...
This paper focuses on immersive learning in a composition-centered curriculum in K–5 general music e...
This anthology presents research projects that examine the intersection between music, technology an...
Having previously been employed to investigate science and English classrooms and listening in the m...
This multimodal (also called digitally borne) text explores the variety of ways technology and multi...
This research project focuses on how middle school and high school music teachers can integrate info...
This study explores how first-year students in a multimodal composition class use digital technology...
Digital technology has revolutionised music composition over recent years and continues to develop a...
Computer software for music has made a significant impact by affecting the perspective of music maki...
Due to advancements, affordability and increased accessibility of technology, composing using comput...
[[abstract]]The purpose of this study is to inquire the curriculum design of creating music with com...
In this article, Shand describes a variety of composer-in-the-classroom programs, including Creating...
The last twenty years have exhibited unprecedented growth of music technology in the fields of comme...
This anthology presents research projects that examine the intersection between music, technology an...
A project was undertaken in a Hong Kong primary school to investigate the role of music notation sof...
Purpose: Multimodal composing is often romanticized as a flexible approach suitable for all learners...
This paper focuses on immersive learning in a composition-centered curriculum in K–5 general music e...
This anthology presents research projects that examine the intersection between music, technology an...