This paper is a comparative study of gestural interaction with musical sound, designed to gain insight into the no-tion of musical affordance on interactive music systems. We conducted an interview base user study trialing three accelerometer based devices, an iPhone, a Wii-mote, and an Axivity Wax prototype, with four kinds of musical sound, including percussion, stringed instruments, and voice recordings. The accelerometers from the devices were mapped to computer based sound synthesis parame-ters. By using consistent mappings across different source sounds, and performing them from the three different devices, users experienced forms of physical, sonic, and cultural affordance, that combine to form what we term musical affordance. 1
Noted is a product system that allows for exploration of musical ideas and collaboration through an ...
This paper investigates two central terms in Human Computer Interaction (HCI) – affordances and cons...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
This paper is a comparative study of gestural interaction with musical sound, designed to gain insig...
We present a study that explores the affordance evoked by sound andsound-gesture mappings. In order ...
The question motivating the work presented here, starting from a view of music as embodied and situa...
This paper reviews and extends questions of the scope of an interactive musical instrument and mappi...
While the concept of affordances has been applied in music research, it has not been satisfyingly de...
In this paper, grounded in my music production practice, I investigate thevarious affordances of iOS...
The ixi software is an ongoing interdisciplinary research project. It focuses on the creation of scr...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
This article presents a simple and flexible model in which the tools of music-making (‘frameworks’) ...
Sound is often used as a feedback modality in technological devices. Yet relatively little is known ...
Recent advancements in digital technologies have dramatically extended the means of musical expressi...
The notion of affordance has been introduced by Gibson (1977, 1979) as the feature of an object or t...
Noted is a product system that allows for exploration of musical ideas and collaboration through an ...
This paper investigates two central terms in Human Computer Interaction (HCI) – affordances and cons...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...
This paper is a comparative study of gestural interaction with musical sound, designed to gain insig...
We present a study that explores the affordance evoked by sound andsound-gesture mappings. In order ...
The question motivating the work presented here, starting from a view of music as embodied and situa...
This paper reviews and extends questions of the scope of an interactive musical instrument and mappi...
While the concept of affordances has been applied in music research, it has not been satisfyingly de...
In this paper, grounded in my music production practice, I investigate thevarious affordances of iOS...
The ixi software is an ongoing interdisciplinary research project. It focuses on the creation of scr...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
This article presents a simple and flexible model in which the tools of music-making (‘frameworks’) ...
Sound is often used as a feedback modality in technological devices. Yet relatively little is known ...
Recent advancements in digital technologies have dramatically extended the means of musical expressi...
The notion of affordance has been introduced by Gibson (1977, 1979) as the feature of an object or t...
Noted is a product system that allows for exploration of musical ideas and collaboration through an ...
This paper investigates two central terms in Human Computer Interaction (HCI) – affordances and cons...
Digitalization has enabled material decoupling of sound from the physical devices traditionally used...