Add to ORKGWe have adapted the AES/EBU digital audio standard to the coding and transmission of transduced gestures. We discuss the advantages of the AES/EBU standard over MIDI and other candidate methods and describe alternative mappings of gestural data to the audio streams of the AES/EBU protocol. We conclude with a description of a reactive glove system and a continuous position-sensing keyboard controller using AES/EBU communications. 2. Musical Gesture Communications Requirements 2.1
On several acoustic and electromechanical keyboard instruments, the produced sound is not always str...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
This paper presents Reach, a keyboard-based gesture recog- nition system for live piano sound modula...
We introduce the notion of musical gestures as time varying measurements which identify the audio in...
International audienceWithin the traditional instrumental context, there is a specific relation betw...
There is a longstanding disconnect between mechanical models of the piano, in which key velocity is ...
In this demonstration we will show a variety of computer-based musical instruments designed for live...
Abstract. This paper presents ongoing research on the modelling of expressive gesture in multimodal ...
This paper describes work in progress for the development of a gestural controller interface for con...
This paper describes the use of wearable sensor technology to control parameters of audio effects fo...
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrie...
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrie...
Contains fulltext : 74680.pdf (publisher's version ) (Closed access)This paper pre...
This paper presents a simplified 2D gesture based approach to modifying dynamics within a musical si...
Music is a fundamental part of most cultures. Controlling music playback has commonly been used to d...
On several acoustic and electromechanical keyboard instruments, the produced sound is not always str...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
This paper presents Reach, a keyboard-based gesture recog- nition system for live piano sound modula...
We introduce the notion of musical gestures as time varying measurements which identify the audio in...
International audienceWithin the traditional instrumental context, there is a specific relation betw...
There is a longstanding disconnect between mechanical models of the piano, in which key velocity is ...
In this demonstration we will show a variety of computer-based musical instruments designed for live...
Abstract. This paper presents ongoing research on the modelling of expressive gesture in multimodal ...
This paper describes work in progress for the development of a gestural controller interface for con...
This paper describes the use of wearable sensor technology to control parameters of audio effects fo...
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrie...
This paper presents our need for a Gesture Description Interchange Format (GDIF) for storing, retrie...
Contains fulltext : 74680.pdf (publisher's version ) (Closed access)This paper pre...
This paper presents a simplified 2D gesture based approach to modifying dynamics within a musical si...
Music is a fundamental part of most cultures. Controlling music playback has commonly been used to d...
On several acoustic and electromechanical keyboard instruments, the produced sound is not always str...
Music often conveys a sense of “gesture”, anevocation of motion and energy, which makes it dramatic,...
This paper presents Reach, a keyboard-based gesture recog- nition system for live piano sound modula...