Add to ORKG“A moving image is many things: a form of entertainment, an art form, an historical record, a cultural artifact, a commodity and a force for social change... Whether it’s classic Hollywood feature films, 20th century newsreels, documentaries, classic television or home movies of Billy’s fifth birthday, it is important to preserve our visual heritage. ”- Moving Image Collection
The concerns of this thesis stem from the reflections of a filmmaker and the recognition of artists...
Video collections have been part of library holdings for several decades, but developing and managin...
This is the first introductory survey of western twentieth-century music to address popular music, a...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
textWith the inception of cinema in the late 1890s, discussions relating to the preservation of film...
This thesis examines the characteristics of moving image documents such as they pertain to the selec...
This paper stems from the concern for the relationship between the viewer, the film, and the filmmak...
This article examines the changing landscape of moving image archiving in the wake of recent develo...
For the last fifty years the film archive has provided substantive material for a wide variety of ex...
textThis thesis outlines the changing landscape of moving image archives in light of the emergence o...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
Moving image media record much of the history of the twentieth century, and as such form an importan...
Philip Hunter reports on the one day meeting on multimedia objects in the British Library, London, O...
Film archives have long been dedicated to preserving movies, and they've been nimble in recent ...
The regional film archives of England are owned and operated within different contexts and each one ...
The concerns of this thesis stem from the reflections of a filmmaker and the recognition of artists...
Video collections have been part of library holdings for several decades, but developing and managin...
This is the first introductory survey of western twentieth-century music to address popular music, a...
October 6, 1993 will mark the 100th anniversary of the first U.S. copyright registration of a motio...
textWith the inception of cinema in the late 1890s, discussions relating to the preservation of film...
This thesis examines the characteristics of moving image documents such as they pertain to the selec...
This paper stems from the concern for the relationship between the viewer, the film, and the filmmak...
This article examines the changing landscape of moving image archiving in the wake of recent develo...
For the last fifty years the film archive has provided substantive material for a wide variety of ex...
textThis thesis outlines the changing landscape of moving image archives in light of the emergence o...
The language of film art, or the artistic language of cinematography, is not a separate kind of lan...
Moving image media record much of the history of the twentieth century, and as such form an importan...
Philip Hunter reports on the one day meeting on multimedia objects in the British Library, London, O...
Film archives have long been dedicated to preserving movies, and they've been nimble in recent ...
The regional film archives of England are owned and operated within different contexts and each one ...
The concerns of this thesis stem from the reflections of a filmmaker and the recognition of artists...
Video collections have been part of library holdings for several decades, but developing and managin...
This is the first introductory survey of western twentieth-century music to address popular music, a...