Site Soundscapes

research was based on the assumption that landscape architects work on pro-jects in which the acoustic aspects can be taken into consideration. In such projects activities are located within the landscape and specific sounds belong to specific activities. This research raised the orchestration of the soundscape as a new area of concern in the field of landscape architecture; a new method of approaching the problem was suggested. Professionals can learn to recognise the auditory phenom-ena which are characteristic of a certain type of land use. Acoustic sources are obvious planning elements which can be used as a starting point in the develop-ment process. The effects on the soundscape can subsequently be evaluated according to various planning options. The landscape is viewed as a space for sound sources and listeners where the sounds are transferred and coloured, such that each site has a specific soundscape – a sonotope. This raised questions about the landscape’s acoustic characteristics with respect to the physical layout, space, material and furnishing. Questions related to the planning process, land use and conflicts of interest were also raised, in additio