This dissertation deals with strategies in spatialization of music. It tries to explore a certain concept of spatialization (Diffuse Spatialization) based on sounds as volumetric objects that have extension and occupy a space. Three different approaches are described: SupaStrings- a network of physical modelled strings with extent (multiple outputs per string) placed in a virtual sound stage. Parameter Field Synthesis- A grid of stationary sources, all using the same synthesis process, is driven by time-evolving scalar fields. Sine Fields- Sine wave generators are free to roam through a frequency scalar field; the frequencies are inherently connected to the locations in space. The three approaches were conceptualized and implemented using t...
International audienceIn virtual auditory environments, sound generation is typically based on a two...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
The use of high-density loudspeaker arrays (HDLAs) has recently experienced rapid growth in a wide v...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
Beginning with a brief historical overview of spatial audio and music practices, this chapter looks ...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
This paper outlines technical and aesthetic approaches to sound spatialisation for electroacoustic m...
This paper explores the possibilities of spatialization and intrinsic space perception as a musical ...
The intent of this dissertation is to contribute to the current body of compositional knowledge, par...
The field of real time sound spatizalization is recently receiving much attention, as suggested by t...
In 1962 Karlheinz Stockhausen’s “Concept of Unity in Electronic Music” introduced a connection betwe...
Spatial music, namely sound localisation as a compositional parameter in music has been in use, albe...
This thesis explores the artistic potential to make use of three dimensional, physical space as a ne...
cote interne IRCAM: Einbond10aNational audienceCorpus-based concatenative synthesis presents unique ...
International audienceIn virtual auditory environments, sound generation is typically based on a two...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
The use of high-density loudspeaker arrays (HDLAs) has recently experienced rapid growth in a wide v...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
Beginning with a brief historical overview of spatial audio and music practices, this chapter looks ...
Spatial position is one of the main perceivable sound characteristics. Due to historical and technol...
This paper outlines technical and aesthetic approaches to sound spatialisation for electroacoustic m...
This paper explores the possibilities of spatialization and intrinsic space perception as a musical ...
The intent of this dissertation is to contribute to the current body of compositional knowledge, par...
The field of real time sound spatizalization is recently receiving much attention, as suggested by t...
In 1962 Karlheinz Stockhausen’s “Concept of Unity in Electronic Music” introduced a connection betwe...
Spatial music, namely sound localisation as a compositional parameter in music has been in use, albe...
This thesis explores the artistic potential to make use of three dimensional, physical space as a ne...
cote interne IRCAM: Einbond10aNational audienceCorpus-based concatenative synthesis presents unique ...
International audienceIn virtual auditory environments, sound generation is typically based on a two...
Sound localisation deals with how and why we can locate sound sources in our spatial environment. S...
The use of high-density loudspeaker arrays (HDLAs) has recently experienced rapid growth in a wide v...