Background. Contemporary music, in particular electroacoustic music, is not very well known in today’s society. Musicians and researchers should have confronted issues related to making this corpus of music accessible to a wider audience; however, there are only very few projects available that explain electroacoustic music to non-specialists. The PhD project “EARS II ” focuses on this as well as on detailed research about the fundamental concepts of electroacoustic music. At the Music, Technology and Innovation Research Centre there are two existent projects that are related to and will be integrated into the research: The original EARS project (ElectroAcoustic Resource Site, www.ears.dmu.ac.uk), which provides academic information for res...
This anthology presents research projects that examine the intersection between music, technology an...
There is an arguable lack of activity and interest in the analysis of electroacoustic music when com...
Since March 2011 Online Repository for Electroacoustic Analysis (OREMA) project has been in operatio...
Discussions have been on-going in the UK regarding how to offer the broadest musical repertoire pos...
This paper presents the initial results of a study within the pedagogical ElectroAcoustic Resource S...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
An international eLearning project regarding electroacoustic music for beginners (e.g., KS3 11-14)
This paper offers an introduction to the Intention/Reception (I/R) project outlining its background,...
The Intention/Reception (I/R) project concerns an investigation of the relationship between composer...
The opportunity to incorporate real-world sounds into musical works has led to new listening strateg...
Listening is the one universal encounter all people have with music. Today the possibility exists of...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This research aims to integrate popular music techniques into the electroacoustic music practice, ...
When we talk about electroacoustic music we often find conversation moving to-wards: 1. how we manip...
Centuries of experience with acoustic instruments means there is a body of knowledge about and under...
This anthology presents research projects that examine the intersection between music, technology an...
There is an arguable lack of activity and interest in the analysis of electroacoustic music when com...
Since March 2011 Online Repository for Electroacoustic Analysis (OREMA) project has been in operatio...
Discussions have been on-going in the UK regarding how to offer the broadest musical repertoire pos...
This paper presents the initial results of a study within the pedagogical ElectroAcoustic Resource S...
The topic of the last EMS Conference, if electroacoustic music is still today an experimental music,...
An international eLearning project regarding electroacoustic music for beginners (e.g., KS3 11-14)
This paper offers an introduction to the Intention/Reception (I/R) project outlining its background,...
The Intention/Reception (I/R) project concerns an investigation of the relationship between composer...
The opportunity to incorporate real-world sounds into musical works has led to new listening strateg...
Listening is the one universal encounter all people have with music. Today the possibility exists of...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This research aims to integrate popular music techniques into the electroacoustic music practice, ...
When we talk about electroacoustic music we often find conversation moving to-wards: 1. how we manip...
Centuries of experience with acoustic instruments means there is a body of knowledge about and under...
This anthology presents research projects that examine the intersection between music, technology an...
There is an arguable lack of activity and interest in the analysis of electroacoustic music when com...
Since March 2011 Online Repository for Electroacoustic Analysis (OREMA) project has been in operatio...