In this research, it is proposed that music can be thought of as ran-dom processes, and music style recognition can be thought of as a system identification problem. Then, a general framework for modeling music us-ing Markov chains is described, and based on this framework, a two-way composer identification scheme is demonstrated. The scheme utilizes the Kullback-Leibler distance as the metric between distribution functions, and it is shown that under the condition when the marginals are identi-cal, the scheme gives maximum likelihood identification. Experiments of composer identification are conducted on all the string quartets written by Mozart and Haydn, and the results are documented and discussed.
A methodology is described for the automatic identification of classical music works. It can be cons...
Taking a theory of musical style developed by Leonard B. Meyer as a starting point, an experiment is...
This report shows different possibilities to iden-tify the composer of a music piece and how N-gram ...
The availability of large music repositories poses challenging research problems, which are also rel...
In this paper, we use Hidden Markov Models (HMM) and Mel-Frequency Cepstral Coefficients (MFCC) to b...
Abstract. The availability of large music repositories poses challenging research problems, which ar...
Abstract. This paper describes a methodology for the statistical modeling of music works. Starting f...
This paper describes a methodology for the statistical modeling of music works. Starting from either...
It is often said that music and mathematics go hand in hand. As an undergraduate double major in bot...
This paper presents a new extension to the variable duration Hid-den Markov model, capable of classi...
This paper describes a system able to identify a music work through the analysis of the audio record...
Recent literature has demonstrated the difficulty of classifying between composers who write in extr...
The design of algorithms modelled on the abstraction of\ud compositional formalisms has been practis...
This is a presentation of a novel method for measuring the distance between two seemingly analogous ...
In this paper a system for automatic chord estimation of an input song is presented. Our system is b...
A methodology is described for the automatic identification of classical music works. It can be cons...
Taking a theory of musical style developed by Leonard B. Meyer as a starting point, an experiment is...
This report shows different possibilities to iden-tify the composer of a music piece and how N-gram ...
The availability of large music repositories poses challenging research problems, which are also rel...
In this paper, we use Hidden Markov Models (HMM) and Mel-Frequency Cepstral Coefficients (MFCC) to b...
Abstract. The availability of large music repositories poses challenging research problems, which ar...
Abstract. This paper describes a methodology for the statistical modeling of music works. Starting f...
This paper describes a methodology for the statistical modeling of music works. Starting from either...
It is often said that music and mathematics go hand in hand. As an undergraduate double major in bot...
This paper presents a new extension to the variable duration Hid-den Markov model, capable of classi...
This paper describes a system able to identify a music work through the analysis of the audio record...
Recent literature has demonstrated the difficulty of classifying between composers who write in extr...
The design of algorithms modelled on the abstraction of\ud compositional formalisms has been practis...
This is a presentation of a novel method for measuring the distance between two seemingly analogous ...
In this paper a system for automatic chord estimation of an input song is presented. Our system is b...
A methodology is described for the automatic identification of classical music works. It can be cons...
Taking a theory of musical style developed by Leonard B. Meyer as a starting point, an experiment is...
This report shows different possibilities to iden-tify the composer of a music piece and how N-gram ...