Add to ORKG1 Through both practical and textual research, this thesis explores whether it is possible to be both present and a presence in performance time and space through absence. Within it, I offer a discussion of the concepts of presence and absence, and what they mean in a theatre/performance context, before questioning how present the female physical bod
textThis thesis document seeks to find a common thread between three of my plays; The Tides of Aberd...
Hannah Beatrice, THE ARTIST IS NOT PRESENT: A strategic investigation of psychological complexity t...
As dramaturg on Chloé Déchery’s recent performance work, A Duet Without You, I was invited to write ...
Through both practical and textual research, this thesis explores whether it is possible to be both ...
Much of the discourse surrounding performance centres on and even fetishises its qualities of presen...
This paper explores the absent body in physical space, both as spectators and makers of theatre, wit...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
In this article, we examine how the concept of theatrical presence is constructed and dismantled in ...
Much of the discourse surrounding performance centres on and even fetishises its qualities of presen...
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive surve...
The author describes the experience of participating in Rimini Protokoll's "Nachlass/Pieces sans per...
The work explores the intimate and involuntary experiences of mediated space that challenge our esta...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
In this dissertation I explore the phenomenon that Hans Ulrich Gumbrecht calls presence effects as...
The aim of this thesis is to examine performance through my personal experience as a dancer who has ...
textThis thesis document seeks to find a common thread between three of my plays; The Tides of Aberd...
Hannah Beatrice, THE ARTIST IS NOT PRESENT: A strategic investigation of psychological complexity t...
As dramaturg on Chloé Déchery’s recent performance work, A Duet Without You, I was invited to write ...
Through both practical and textual research, this thesis explores whether it is possible to be both ...
Much of the discourse surrounding performance centres on and even fetishises its qualities of presen...
This paper explores the absent body in physical space, both as spectators and makers of theatre, wit...
This thesis is an exploration of a series of related elements that combine to form a personal ‘journ...
In this article, we examine how the concept of theatrical presence is constructed and dismantled in ...
Much of the discourse surrounding performance centres on and even fetishises its qualities of presen...
Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive surve...
The author describes the experience of participating in Rimini Protokoll's "Nachlass/Pieces sans per...
The work explores the intimate and involuntary experiences of mediated space that challenge our esta...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
In this dissertation I explore the phenomenon that Hans Ulrich Gumbrecht calls presence effects as...
The aim of this thesis is to examine performance through my personal experience as a dancer who has ...
textThis thesis document seeks to find a common thread between three of my plays; The Tides of Aberd...
Hannah Beatrice, THE ARTIST IS NOT PRESENT: A strategic investigation of psychological complexity t...
As dramaturg on Chloé Déchery’s recent performance work, A Duet Without You, I was invited to write ...