This paper focuses on automatic segmentation of spontaneous data using continuous dimensional labels from multiple coders. It in-troduces efficient algorithms to the aim of (i) producing ground-truth by maximizing inter-coder agreement, (ii) eliciting the frames or samples that capture the transition to and from an emotional state, and (iii) automatic segmentation of spontaneous audio-visual data to be used by machine learning techniques that cannot handle unsegmented sequences. As a proof of concept, the algorithms introduced are tested using data annotated in arousal and valence space. However, they can be straightforwardly applied to data annotated in other continuous emotional spaces, such as power and expectation. 1
Past research in analysis of human affect has focused on recognition of prototypic expressions of si...
Automatically estimating a user’s emotional behaviour via speech contents and facial expressions pla...
To capture variation in categorical emotion recognition by human perceivers, we propose a multi-labe...
This paper focus on automatic of spontaneous data using continuous dimensional labels from multiple ...
Human affect is continuous rather than discrete. Various affect dimensions represent emotions better...
Since most automatic emotion recognition (AER) systems employ pre-segmented data that contains only ...
Recognition and analysis of human emotions have attracted a lot of interest in the past two decades ...
The dominant approach to musical emotion variation detection tracks emotion over time continuously a...
Abstract—Past research in analysis of human affect has focused on recognition of prototypic expressi...
This paper aims to give a brief overview of the current state-of-the-art in automatic measurement of...
This paper describes the challenges of getting ground truth affective labels for spontaneous video, ...
This paper focuses on audio-visual (using facial expression, shoulder and audio cues) classification...
A frequently used procedure to examine the relationship between categorical and dimensional descript...
We developed acoustic and lexical classifiers, based on a boosting algorithm, to assess the separabi...
International audienceAutomatic continuous affect recognition from audiovisual cues is arguably one ...
Past research in analysis of human affect has focused on recognition of prototypic expressions of si...
Automatically estimating a user’s emotional behaviour via speech contents and facial expressions pla...
To capture variation in categorical emotion recognition by human perceivers, we propose a multi-labe...
This paper focus on automatic of spontaneous data using continuous dimensional labels from multiple ...
Human affect is continuous rather than discrete. Various affect dimensions represent emotions better...
Since most automatic emotion recognition (AER) systems employ pre-segmented data that contains only ...
Recognition and analysis of human emotions have attracted a lot of interest in the past two decades ...
The dominant approach to musical emotion variation detection tracks emotion over time continuously a...
Abstract—Past research in analysis of human affect has focused on recognition of prototypic expressi...
This paper aims to give a brief overview of the current state-of-the-art in automatic measurement of...
This paper describes the challenges of getting ground truth affective labels for spontaneous video, ...
This paper focuses on audio-visual (using facial expression, shoulder and audio cues) classification...
A frequently used procedure to examine the relationship between categorical and dimensional descript...
We developed acoustic and lexical classifiers, based on a boosting algorithm, to assess the separabi...
International audienceAutomatic continuous affect recognition from audiovisual cues is arguably one ...
Past research in analysis of human affect has focused on recognition of prototypic expressions of si...
Automatically estimating a user’s emotional behaviour via speech contents and facial expressions pla...
To capture variation in categorical emotion recognition by human perceivers, we propose a multi-labe...